In Form, Digressions on the Act of FictionSouthern Illinois University Press, 1985 - 247 psl. Formmust never be taken for granted, but must be created as the work itself is shaped: "The writer works not from a priori ideas about what will happen and what form it will take, but in and through the text." Sukenick, one of our most original contemporary novelists, describes these essays as "the comments of a fiction writer about writing, not those of a critic on what has been written. They are more or less reports on experience--those of one engaged in the ongoing struggle with the angel of form, rather than of one studying its consequences from a cool distance: 'in form, ' not 'on form.'" The difficulty of creative works no longer accessible to traditional reading habits has threatened us with an age of criticism in which interpretation has become more imposing than invention. One of the tasks of modern fiction, therefore, is "to displace, energize, and re-embody its criticism--literally to reunite at with our experience of the text." |
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... written script . It involves faster retrieval of more information about recorded sounds and im- ages , so that composition of the film can become a process of ongoing improvisation and revision as in writing . And in fact that is ...
... Written language may have less and less to do with speech and more and more to do with the rhythms of the mind itself . Writing so polarized may become increasingly concrete , more word on page , more written . But this process of con ...
... written language film deals with spoken language : written language and image versus spoken langauge and image . In comic books the equivalent of the soundtrack would be the words written in the balloons , but there is no equivalent in ...
Turinys
Twelve Digressions Toward a Study of Composition | 3 |
Thirteen Digressions | 16 |
Ten Digressions | 34 |
Autorių teisės | |
Nerodoma skirsnių: 8