In Form, Digressions on the Act of FictionSouthern Illinois University Press, 1985 - 247 psl. Formmust never be taken for granted, but must be created as the work itself is shaped: "The writer works not from a priori ideas about what will happen and what form it will take, but in and through the text." Sukenick, one of our most original contemporary novelists, describes these essays as "the comments of a fiction writer about writing, not those of a critic on what has been written. They are more or less reports on experience--those of one engaged in the ongoing struggle with the angel of form, rather than of one studying its consequences from a cool distance: 'in form, ' not 'on form.'" The difficulty of creative works no longer accessible to traditional reading habits has threatened us with an age of criticism in which interpretation has become more imposing than invention. One of the tasks of modern fiction, therefore, is "to displace, energize, and re-embody its criticism--literally to reunite at with our experience of the text." |
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... importance of the tape recorder , poetry as song lyric ; and on the other hand , concrete poetry , the importance of arrangement on the page rather than traditional metric and , for the novel , no longer leaving one of the most important ...
... important for me , as im- portant as collage , or improvisation , as a technique for re- ducing preconceived formulation in my language in order to allow the release of the unpremeditated . The fact that Roussel was engaged in pure ...
... important about the way they were living . One American answer to this was to invent a way of writing that brought more informa- tion , more data into a situation that had no meaning beyond data to begin with ; it is not necessarily an ...
Turinys
Twelve Digressions Toward a Study of Composition | 3 |
Thirteen Digressions | 16 |
Ten Digressions | 34 |
Autorių teisės | |
Nerodoma skirsnių: 8