In Form, Digressions on the Act of FictionSouthern Illinois University Press, 1985 - 247 psl. Formmust never be taken for granted, but must be created as the work itself is shaped: "The writer works not from a priori ideas about what will happen and what form it will take, but in and through the text." Sukenick, one of our most original contemporary novelists, describes these essays as "the comments of a fiction writer about writing, not those of a critic on what has been written. They are more or less reports on experience--those of one engaged in the ongoing struggle with the angel of form, rather than of one studying its consequences from a cool distance: 'in form, ' not 'on form.'" The difficulty of creative works no longer accessible to traditional reading habits has threatened us with an age of criticism in which interpretation has become more imposing than invention. One of the tasks of modern fiction, therefore, is "to displace, energize, and re-embody its criticism--literally to reunite at with our experience of the text." |
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... formal thinking , is regarded by the conventional citizen , the methodical thinker , the mani- pulating politician , as capricious , unpredictable , unreliable , and even dangerous . Artists tend to get out of control , and it is no ...
... formal as the closed , with all its tradi- tional advantages . " In fiction , and perhaps also in poetry , those formal conventions have not yet been adequately worked out . V " Is there anything that is not narrative ? " asks Gertrude ...
... formal options . At the same time , the formal open- ing out of the sixties has raised the problem of how a work can remain continuous with experience while sustaining an inter- nal structure that distinguishes it from other areas of ...
Turinys
Twelve Digressions Toward a Study of Composition | 3 |
Thirteen Digressions | 16 |
Ten Digressions | 34 |
Autorių teisės | |
Nerodoma skirsnių: 8