In Form, Digressions on the Act of FictionSouthern Illinois University Press, 1985 - 247 psl. Formmust never be taken for granted, but must be created as the work itself is shaped: "The writer works not from a priori ideas about what will happen and what form it will take, but in and through the text." Sukenick, one of our most original contemporary novelists, describes these essays as "the comments of a fiction writer about writing, not those of a critic on what has been written. They are more or less reports on experience--those of one engaged in the ongoing struggle with the angel of form, rather than of one studying its consequences from a cool distance: 'in form, ' not 'on form.'" The difficulty of creative works no longer accessible to traditional reading habits has threatened us with an age of criticism in which interpretation has become more imposing than invention. One of the tasks of modern fiction, therefore, is "to displace, energize, and re-embody its criticism--literally to reunite at with our experience of the text." |
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Rezultatai 1–3 iš 90
... Digressions 1 Twelve Digressions Toward a Study of Composition 3 Thirteen Digressions 16 Fiction in the Seventies : Ten Digressions on Ten Digressions 34 Eight Digressions on the Politics of Language 49 Nine Digressions on Narrative ...
Ronald Sukenick. Thirteen Digressions only they know how to move into a more and more spacious syntax . The moderns questioned the idea of a priori form ; we question the idea of form itself . The ... Digressions on Ten Digressions 33.
Ronald Sukenick. Fiction in the Seventies : Ten Digressions on Ten Digressions The history of American fiction since the fifties has been a mistake . From the vantage of the seventies , it would seem that the ... Digressions Ten Digressions.
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Twelve Digressions Toward a Study of Composition | 3 |
Thirteen Digressions | 16 |
Ten Digressions | 34 |
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