A Guide to the Paintings of Venice: Being an Historical and Critical Account of All the Pictures in Venice, with Quotations from the Best Authorities; and Short Lives of the Venetian MastersG. Bell, 1895 - 278 psl. |
Knygos viduje
Rezultatai 1–5 iš 77
vi psl.
... , ever stands that school . " -VELASQUEZ . " All criticism of art must be partial : warped more or less by the feelings of the person attempting to judge . " — Ruskin . vi PREFACE THE success of the author's “ Guide to the.
... , ever stands that school . " -VELASQUEZ . " All criticism of art must be partial : warped more or less by the feelings of the person attempting to judge . " — Ruskin . vi PREFACE THE success of the author's “ Guide to the.
xv psl.
... Ruskin : — " The first we may call the Vivarini epoch - bright , inno- cent , more or less elementary , entirely religious art , reaching from 1400 to 1480 : the second ( which we call the Carpac- cian epoch ) , sometimes classic and ...
... Ruskin : — " The first we may call the Vivarini epoch - bright , inno- cent , more or less elementary , entirely religious art , reaching from 1400 to 1480 : the second ( which we call the Carpac- cian epoch ) , sometimes classic and ...
xvii psl.
... ( Ruskin . ) Many reasons have been given to account for the great superiority of the colouring in Venetian pictures , such as the influence of the surroundings , the colour of Venice itself , the bay and lagoons , and the constant ...
... ( Ruskin . ) Many reasons have been given to account for the great superiority of the colouring in Venetian pictures , such as the influence of the surroundings , the colour of Venice itself , the bay and lagoons , and the constant ...
7 psl.
... ( Ruskin . ) " Theatrical and unreal in the highest degree . Objectionable are the hardness of the drawing , the want of transition from light and shade , and the opaque substance of the colour . " ( C. & C. ) 107. St. Jerome kneeling at ...
... ( Ruskin . ) " Theatrical and unreal in the highest degree . Objectionable are the hardness of the drawing , the want of transition from light and shade , and the opaque substance of the colour . " ( C. & C. ) 107. St. Jerome kneeling at ...
10 psl.
... ( Ruskin . ) " The sense of motion in these figures is so well rendered , that one seems to feel that they are actually walking by , and will soon be out of sight . " ( Eastlake . ) " There is no doubt that this is the most important ...
... ( Ruskin . ) " The sense of motion in these figures is so well rendered , that one seems to feel that they are actually walking by , and will soon be out of sight . " ( Eastlake . ) " There is no doubt that this is the most important ...
Kiti leidimai - Peržiūrėti viską
A Guide to the Paintings of Venice– Being an Historical and Critical Account ... Frank Tryon Charles Visos knygos peržiūra - 1895 |
A Guide to the Paintings of Venice– Being an Historical and Critical Account ... Frank Tryon Charles Visos knygos peržiūra - 1895 |
Pagrindiniai terminai ir frazės
9 ft Academy Adoration altar-piece Alvise Andrea angel Annunciation Antonello Antonio Antonio Vivarini artist attributed Bartolommeo Bassano beautiful Bellini Bonifazio born Burckhardt called Canvas Carpaccio Catherine ceiling centre century Chapel Christ Cima colour composition Cross dated Doge Eastlake enthroned Evangelist figures Formerly in San Francesco fresco Gentile Gentile Bellini Giorgione Giov Giovanni Giovanni Bellini Girolamo Grimani head High Altar Italy Jacobello del Fiore Jacopo Jacopo Bellini Jerome John the Baptist kneeling landscape Layard Lorenzo Madonna Madonna and Saints Magistrato master Morelli Murano Niccolò noble Padua painted painter Palace Palma Giovane Palma Vecchio Panel Paolo Veronese Paris Bordone Peter picture Pietro Pope Pordenone Portrait Presented by Molin pupil repainted represented restored rich Rome Ruskin Sacristy Sala San Marco San Rocco Santa Croce Santa Maria Scuola di San Sebastian style tempera throne Tintoret Tintoretto Titian Ursula Vasari Venetian school Venice Verona Virgin Vivarini wood
Populiarios ištraukos
xviii psl. - ONCE did She hold the gorgeous east in fee ; And was the safeguard of the west : the worth Of Venice did not fall below her birth, Venice, the eldest Child of Liberty. She was a maiden City, bright and free ; No guile seduced, no force could violate ; And, when she took unto herself a Mate, She must espouse the everlasting Sea.
148 psl. - And the LORD said unto Moses, Make thee a fiery serpent, and set it upon a pole : and it shall come to pass, that every one that is bitten, when he looketh upon it shall live.
19 psl. - There was a certain rich man, which was clothed in purple and fine linen, and fared sumptuously every day : and there was a certain beggar named Lazarus, which was laid at his gate, full of sores, and desiring to be fed with the crumbs which fell from the rich man's table : moreover the dogs came and licked his sores.
147 psl. - For as Jonas was three days and three nights in the whale's belly; so shall the Son of man be three days and three nights in the heart of the earth.
148 psl. - And he dreamed, and behold a ladder set up on the earth, and the top of it reached to heaven : and behold the angels of God ascending and descending on it...
148 psl. - So I prophesied as I was commanded : and as I prophesied, there was a noise, and behold a shaking, and the bones came together, bone to his bone.
150 psl. - And thus shall ye eat it; with your loins girded, your shoes on your feet, and your staff in your hand; and ye shall eat it in haste: it is the Lord's passover.
145 psl. - Come now, therefore, and I will send thee unto Pharaoh, that thou mayest bring forth my people, the children of Israel, out of Egypt.
22 psl. - Philip saith unto him, Lord, shew us the Father, and it sufficeth us. Jesus saith unto him, Have I been so long time with you, and yet hast thou not known me, Philip? He that hath seen me hath seen the Father; and how sayest thou then, Shew us the Father?