"Bold Robin Hood then unto Nottingham came, Oh there did he meet with great master sheriff, "One boon, one boon,' says jolly Robin, That, as for the death of these three 'squires, "Soon granted, soon granted,' says master sheriff, And thou shalt have all their gay cloathing, "Oh I will have none of their gay cloathing, But I'll have three blasts on my bugle-horn, "Then Robin Hood mounted the gallows so high, 'Till a hundred and ten of Robin Hood's men "Whose men are these?' says master sheriff, 'O they are mine, but none of thine, And are come for the 'squires all three.' "O take them, O take them,' says great master sheriff, 'O take them along with thee; For there's never a man in fair Nottingham Can do the like of thee.'" Sometimes, indeed, this moral feeling, which is cosmopolitan, sinks down into patriotism and is limited to the country of the bard; sometimes it is bounded by men of his own humble rank in life. But this seldom happens in such poetry, except when war or oppression has made wise men mad, bringing out passions which are narrow and hateful. Notwithstanding the English ballads so commonly scorn the authority of circumstances, they yet betray the purely empirical character of the English nation. With the exception of these overleapings of the conventions of life, they contain scarce anything which has not its parallel in actual experience. We look in vain for the signs of that more elevated spirituality so noticeable in the popular poetry of some other nations. The Americans have produced but little poetry in the simple form of ballads; little which circulates among the people, and that little is destined to a speedy and unlamented burial, as we think. Hitherto circumstances have not favoured the production of original literature. With the perpetual exception of speeches and sermons,-which grow out of the daily wants of state and church,—they from their nature must ever be ephemeral. New-England has always been the most literary part of America; but the fathers of New-England had a form of religion—or rather of theology—perhaps the most unpoetic that was ever developed on a scale so extensive. Calvin was no poet he dwelt years long on the Lake of Geneva, preaching within sight of Jura and Mont Blanc, with the most beautiful scenery in the world spread out before him, and yet, so far as we remember, there is not in sermon or letter a single allusion to that wondrous beauty wasted on his cold eye,— not a single figure of speech ever is drawn from the scene before him-the lake, the mountain, or the sky. His followers in America had scarce more inclination to poetry than he. Men who are reflecting on the "five points, discoursing of election, reprobation, and the kindred themes, or inwardly digesting the Assembly's Catechism, would not be likely to write war-songs, or to make ballads. They did well in allowing" the nursery rhymes" to be sung to children; in not suffering "unworthy Barbara Allen" to be wholly forgotten. Still further, their outward circumstances were most unfavourable to the production of popular poetry, songs, and ballads amongst the people. They were struggling against poverty, against the wilderness, the wild beasts, and savage men,-not to mention the difficulties which came from the other side of the water. Thus stood the fathers of New-England. On the one side was starvation, and destruction on the other; and the Indians lying in wait and ready to hasten the advance of both. Under such circumstances few men would incline to sing anything very secular, or æsthetic. Besides, to the Puritan 66 common things " had a certain savour of uncleanness about them, and were thought scarce worthy of being sung. Would a man be merry, he might indeed sing, for there was a scriptural argument for his singing; but it must be -psalms. New-England psalmody is a proverb amongst nations. We speak not of the melodies, so long-drawn and so nasal, but of the substantial words which endure while the volatile melodies have long ago been hushed into expressive silence. We give a verse from an old American version of "the Psalms of David," assuring our readers that it is no invention of ours, but an undoubted original. "The race is not to them that do the swiftest run, Nor the battell, To the peopel, That carries the longest gun." Of psalm-singing there was no lack in New-England. But that was not quite enough even for the Puritans. The natural heart of man wanted something a little more epic -some narrative of heroic events in a form slightly poetical, with a tinge of moral feeling, and a minute specification of time, place, person, and all particulars thereto belonging. This want was supplied-so far as we can learn -by the public prayers so abundantly made by the Puritans. They were as narrative as the popular ballads, about as long-winded, equally garrulous, it is said; only the rhythmic element was wanting; and that was supplied, we suppose, by the intonation of the orator, or by the repetition of particular phrases-as a sort of refrain, or "burden." Few men esteem the founders of New-England more than we, but we honour them for what they were, not for what they were not-not so much for their poetry as for their masculine character and unshrinking faith in God. We have seen many of the early American ballads, but few of any merit. New-England ran to theology, politics, and practical life; not to lyric poetry. Even war, which forced such music from the Greeks and the Spaniards, extorted but little song from the stern men of America,and that little poor. Of the ballads which belong to the Revolutionary period, there are few which are worth perusing. We insert a portion of one, which seems to us the best. Its date is obvious. "While I relate my story, Americans give ear; "The cruel lords of Britain, who glory in their shame, "There are two mighty speakers, who rule in Parliament, Who always have been seeking some mischief to invent, 'Twas North, and Bute, his father, this horrid plan did lay, A mighty tax to gather in North America. "He search'd the gloomy regions of the infernal pit, "Old Satan, the arch traitor, resolved a voyage to take, "He takes his seat in Britain, it was his soul's intent, "He tried the art of magic to bring his schemes about, "These subtle arch-combiners address'd the British court, "There is a wealthy people, who sojourn in that land; Their churches all with steeples, most delicately stand; Their houses, like the gilly, are painted red and gay; They flourish like the lily in North America. "Their land with milk and honey continually doth flow, The want of food or money they seldom ever know : They heap up golden treasure, they have no debts to pay, They spend their time in pleasure in North America. "On turkeys, fowls, and fishes most frequently they dine, With gold and silver dishes their tables always shine, They crown their feasts with butter, they eat and rise to play, In silks their ladies flutter in North America. "With gold and silver laces, they do themselves adorn, The rubies deck their faces, refulgent as the morn! Wine sparkles in their glasses, they spend each happy day In merriment and dances, in North America. "Let not our suit affront you, when we address your throne, O king, this wealthy country and subjects are your own, And you their rightful sovereign, they truly must obey, You have a right to govern this North America. "O king, you've heard the sequel of what we now subscribe? Is it not just and equal to tax this wealthy tribe ? "Invested with a warrant, my publicans shall go, "I'll rally all my forces by water and by land, "Go on, my hearty soldiers, you need not fear of illThere's Hutchinson and Rogers, their functions will fulfil They tell such ample stories, believe them sure we may, That one half of them are Tories in North America. |