Notes and Comments Upon Certain Plays and Actors of Shakespeare: With Criticisms and CorrespondenceCarleton, 1863 - 353 psl. |
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44 psl.
... racter . Hamlet was of an impulsive temperament , and very dissimilar to such as are naturally phleg- matic , and who resolve , after mature and deliberate reflection , and steadily execute their purposes . Hamlet's nature is like the ...
... racter . Hamlet was of an impulsive temperament , and very dissimilar to such as are naturally phleg- matic , and who resolve , after mature and deliberate reflection , and steadily execute their purposes . Hamlet's nature is like the ...
58 psl.
... characters throughout , and so peculiarly adapted to the respective situations is their language , that any attempt to ... racter of Hamlet . He says : - " It is clear to me that Shakespeare's intention was 58 HAMLET'S SOLILOQUY ON SUICIDE .
... characters throughout , and so peculiarly adapted to the respective situations is their language , that any attempt to ... racter of Hamlet . He says : - " It is clear to me that Shakespeare's intention was 58 HAMLET'S SOLILOQUY ON SUICIDE .
119 psl.
... racter to criticise that performance ; though I well remember that his voice was full and of consider- able compass , and his articulation was very distinct ; his eyes , which were of a pale blue , and habitually -perhaps owing to near ...
... racter to criticise that performance ; though I well remember that his voice was full and of consider- able compass , and his articulation was very distinct ; his eyes , which were of a pale blue , and habitually -perhaps owing to near ...
219 psl.
... racter ; yet that one , who has herself passed through both those stages of life , should not understand the difference of maturity between the ages of fourteen and of nineteen in the female sex , is scarcely con- ceivable . That ...
... racter ; yet that one , who has herself passed through both those stages of life , should not understand the difference of maturity between the ages of fourteen and of nineteen in the female sex , is scarcely con- ceivable . That ...
222 psl.
... characters . Terror and pity are moved by the mere aspect of human sufferings ; but the sympathy is strong or weak ... racter throughout the play , an essential ingredient * Act 3 , Scene 5 . in the intense sympathy which she inspires ...
... characters . Terror and pity are moved by the mere aspect of human sufferings ; but the sympathy is strong or weak ... racter throughout the play , an essential ingredient * Act 3 , Scene 5 . in the intense sympathy which she inspires ...
Kiti leidimai - Peržiūrėti viską
Notes and Comments Upon Certain Plays and Actors of Shakespeare– With ... James Henry Hackett Visos knygos peržiūra - 1863 |
Notes and Comments Upon Certain Plays and Actors of Shakespeare– With ... James Henry Hackett Visos knygos peržiūra - 1864 |
Notes and Comments Upon Certain Plays and Actors of Shakespeare– With ... James Henry Hackett Visos knygos peržiūra - 1864 |
Pagrindiniai terminai ir frazės
action actor of Hamlet admirable afterwards appear applause audience bare bodkin bear those ills blood bodkin Brabantio Cæsar Cassio character of Hamlet circulation conception conscience cowards critic death Desdemona drama dreams Drury Lane Edmund Kean effect expression Falstaff father folio fool Forrest genius Ghost Goneril Hackett Harvey heart Henry honor Horatio Iago idea imagination John Kemble John Quincy Adams Juliet Julius Cæsar Kean's Kemble King Lear Lear's letter London Macready Macready's madness manner metaphors mind moral mortal coil nature never night occasion Ophelia original Othello outrageous fortune Park Theatre passion performance person perusal play poet Polonius Prince racter reason reference reflection remarks respect says scene sea of troubles seems sense Shake Shakespeare Sir John sleave sleep soliloquy soul speare's spirit stage suicide take arms taste thee thou thought tion tis nobler tragedy undiscovered country uttered whilst word York