CHARLES LEMUEL THOMPSON. 195 It's like good times to plough sod loam To hear the culter rippin', And the soft earth, like fallin' foam, Into the furrer drippin'. But when you strike a stretch o' stone, The plough not only shakes each bone, * I tried a new plough at the fair; 'Twas neat, but I refused it. This "Rough and Ready" stands the tear, Old ploughs and old beliefs are strong, Things that have stood the strain so long I like to watch before the plough The June-grass and the clover. A plough reminds me, then, of Time. But when above the buried weeds I've sometimes thought if we would range AT FIRST SIGHT. HAST thou a heart, O, dark-eyed girl, I have no heart, O, blue-eyed boy, I am a maid forlorn; For I dreamed of you and lost my heart, I have thy heart, O, deep-eyed girl, It leaps to meet its owner sweet, And I have thine, O, fair-eyed lad, Then since they may not be exchanged given to see, and when he saw, the rocky and barren sides of the mountain were set with squadrons of winged chariots. Dr. Thompson writes with marked directness and simplicity. It is the charm both of his essay and poetry writing. One does not see his crystalline words, but only the thing which they reveal. His work as a minister makes him a mystic, and leads his eyes to "the hills from whence cometh mine aid," to the scenery of that land whose light our material eyes can not gather. The hopes, aspirations and pure passions of the soul, its moods of exaltation or resignation, all that are in faith, hope and love are familiar to his vision. All the winds that blow from the upper or the lower hills and plains of mortal and immortal life awaken the chords of his harp. He has been somewhat warped out of his natural bent by his profession. The element of humor, which is in such frequent effervescence in his soul, should be permitted freer expression in his poems. His unpublished humorous rhymes are replete with the genuine essence of laughter. As in the old method of milling, the best part of the wheat went with the bran, so it is very often with the products of genius. Dr. Thompson was born near Allentown, Pa. His parents moving to Wisconsin when he was ten years of age, his classical education was received at the Classical Institute, at Portage, Wis., and at Carroll College, at Waukesha, Wis. He received theological training at Princeton, N. J., and at Chicago, Ill. After a few years of ministerial work in Wisconsin, he became pastor of the First Church of Cincinnati. While there, with a few friends, he founded and edited Our Monthly, a religious and literary magazine which attained a good deal of prominence, and in which some of his best poems were published. Subsequently, while pastor in Chicago, he was associated with me in the conduet. of The Interior, with which journal he has ever since been connected, either as editor or editorial writer. During his residence in Chicago he published a "History of American Revivals." Since then in pastorates in Pittsburgh, Kansas City and now in New York, he has found time to make many contributions to the periodical press in both prose and poetry. He has often been urged by his friends to collect his scattered poems into a volume, and he has at length given the promise that at an early day he will revise them for this purpose. The increasing exactions of his minis terial position in the metropolis, it is to be feared, will so harness him down to the work of his profession that he will not give to his delightsome pastime of poetry the attention his friends could desire. It is to be hoped, however, that at least an occasional spark may fly off from the anvil to let us know the fire still is burning. A SONG OF THE CAMP. AS A LANCE of sunrise over the hill W. C. G. From the woods to the western sky; So the lance of firelight bursts to-night I am rich, I think, in this somber wood, What care I now for the strife of men? And, memory's miser, I count again What is it I hear? Through the silence round A laughing ripple of baby sound And the patter of baby feet. I am strangled again in the old arm-chair, I am fast in the meshes light For the loneliest hour, on seas or lands Is the day when the strangling baby hands When the game of bo-peep goes out of the hall, I am counting over my pearls. Ah, here From a mighty depth has brought, a tear I wrung it out on a baby's face, Now it comes back, by its transformed grace Another wave to my idle feet It has no sound for other ears, I press it to my heart alone, So I listen and dream; and beneath the free The church of the village comes to me From its silent doors the ghost of a hymn As if the dead, from their silence dim, Though the parson sleeps in his grassy tent, I am walking again in the grasses deep I am reading the names of those who sleep And they who have gone come back to me Is it the wind that sighs in the pines? Or the strange, sweet noise of wings? A path of fire through the wood that shines? Is this woodland temple a Gothic shrine, Or is it in shadow the rise divine Of the house not made with hands? I can not tell; but the dream I dream Has a dash that, like a mountain stream, My heart leaps out of the past with a bound So I rest awhile in the shadow here, While memory guards the darkening rear, CHARLES LEMUEL THOMPSON, 197 So, heart of mine, fly on before, The path through the woods is free, While I wait for the house where evermore My dwelling-place shall be. THE CRYPT AND THE CATHEDRAL. THE pile of a great cathedral stood, In the ages of long ago, On the marge where the great Rhine River flowed To the breadth of the sea below, And under the deep, dim arch and nave, Where the river washed the walls, Was the gloomy crypt, like a waiting grave, When the morning struggled through windows low, When the sunset fell aslant, A hooded friar, with utterance slow, Rehearsed the Litany Chant With a choir of boys from the streets and lanes, Who stood where the death-damp dripped, And sang together the friar's strains, In the great cathedral's crypt. And the friar said, "As each one learns He shall pass by a stair that winds and turns, He shall stand in a surplice as white as snow, "Above the censer that swings its cloud, Through the aisles and the arches dim, It will cheer the spirit as dews that fall, And, borne by its power, the people all Oh! world-wide prison, girt with graves, When the singers learn, shall lift their waves The sound of the heart reverberates, The altar-lights are aglow, But the great cathedral-service waits MONT BLANC. NOT from the Vale of Chamouni, Where the flow of pleasant streams Is veiled by the lingering morning mist, As a thought may be clothed in dreams; Where the gleaming gates of the glaciers old The stately entrance bar To the pinnacles and bastions Of the mountains vast and far; Not there, where the grasses whisper low, Where the voice of the little birds is hushed, Where the world in dimness sinks away, And the purple distance shows Thine upward rise of solitude And everlasting snows. Even so I leave the paths of men, In a daring climb, somewhere to find The last dim peak of the Alpine way Where lone, and vast, and full of rest- Worthy the weight of a weary faith- AFTER THE RAIN. OUT of the sobs of the winter's storm The velvet robe of the prairies wide Is wrought by the shuttles of rain, And the robin sings in the tree that moaned With the March day's dull refrain. Perhaps, oh, Soul, it will yet appear There is life in the beating rain, And not for naught the shuttles fly O'er the quivering threads of pain. Perhaps a bird will sing, some day, In the barren boughs, that thrill, Like striken harps, with the memory Of storms that haunt them still. LOVE. Floats the mad music on the wind |