The Content of WatercolorVan Nostrand Reinhold Company, 1969 - 143 psl. |
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Rezultatai 1–3 iš 6
11 psl.
... opaque paints and suggest further dimensions . For example , it is captivating to watch Morris Louis transform an essentially opaque acrylic into a translucent symphony , or to ob- serve the infinite variations that occur when paint and ...
... opaque paints and suggest further dimensions . For example , it is captivating to watch Morris Louis transform an essentially opaque acrylic into a translucent symphony , or to ob- serve the infinite variations that occur when paint and ...
80 psl.
... opaque paints , refer to it as aquarelle . Purists have traditionally frowned upon the introduction of any- thing foreign to the transparent colors , specifically , opaque white . It was generally conceded that a very white ( a cream ...
... opaque paints , refer to it as aquarelle . Purists have traditionally frowned upon the introduction of any- thing foreign to the transparent colors , specifically , opaque white . It was generally conceded that a very white ( a cream ...
121 psl.
... opaque white mixed into transparent watercolor ; some artists gain an even more delicate result with the use of the less opaque Chinese white . Concerning the working surface for gouache colors , there is one major differ- ence that ...
... opaque white mixed into transparent watercolor ; some artists gain an even more delicate result with the use of the less opaque Chinese white . Concerning the working surface for gouache colors , there is one major differ- ence that ...
Turinys
CONTENTS | 7 |
The Background of the Artist | 38 |
The Contemporary School | 58 |
Autorių teisės | |
Nerodoma skirsnių: 3
Pagrindiniai terminai ir frazės
28½ inches acrylic areas artist attempt brush calligraphy casein Cézanne Cézanne's Charles Demuth collage COLLECTION complete concern contemporary COURTESY creative Crystalware DON GARBER draftsman draftsmanship drawing dynamic efforts egg tempera Egon Schiele emotional emulsion Ernst Wilhelm Nay Etruscan example executed experience explore gain GALLERY George Grosz goals gouache Grosz Henry Moore Homer Impressionists ink on rice Jean Dubuffet John Marin Klee landscape light materials meaning ment method mind Modern Art move movement Museum of Modern nature noted opaque painter palette patterns Paul Klee pose produced purpose rare Renaissance result reveals rice paper Sam Francis sense SERISAWA shapes spontaneous statement structure superb surface symbols synthetics textures things tion traditional transparent watercolor ture Turner viewer virtually visual vital wash water-base Watercolor and ink watercolor medium Watercolor on paper watercolor painting Winslow Homer York