The Content of WatercolorVan Nostrand Reinhold Company, 1969 - 143 psl. |
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Rezultatai 1–3 iš 21
45 psl.
... MATERIALS The last broad category that must concern every artist at one time or another deals with materials and equipment . Since in Sections 4 and 6 the dynamics of watercolor and related media are fully covered , and there is a ...
... MATERIALS The last broad category that must concern every artist at one time or another deals with materials and equipment . Since in Sections 4 and 6 the dynamics of watercolor and related media are fully covered , and there is a ...
136 psl.
Edward Reep. MATERIALS AND EQUIPMENT It may seem incongruous in such a treatise as this to concern ourselves with materials and equipment . However , even though the best of these things cannot do the work for the artist , there are ...
Edward Reep. MATERIALS AND EQUIPMENT It may seem incongruous in such a treatise as this to concern ourselves with materials and equipment . However , even though the best of these things cannot do the work for the artist , there are ...
137 psl.
... materials than reading about or gazing at photographs of them . The subjective re- sponses to touch , weight , size , color , and even aroma will play a role in this delight- ful affair . Should you be fortunate enough to find ...
... materials than reading about or gazing at photographs of them . The subjective re- sponses to touch , weight , size , color , and even aroma will play a role in this delight- ful affair . Should you be fortunate enough to find ...
Turinys
CONTENTS | 7 |
The Background of the Artist | 38 |
The Contemporary School | 58 |
Autorių teisės | |
Nerodoma skirsnių: 3
Pagrindiniai terminai ir frazės
28½ inches acrylic areas artist attempt brush calligraphy casein Cézanne Cézanne's Charles Demuth collage COLLECTION complete concern contemporary COURTESY creative Crystalware DON GARBER draftsman draftsmanship drawing dynamic efforts egg tempera Egon Schiele emotional emulsion Ernst Wilhelm Nay Etruscan example executed experience explore gain GALLERY George Grosz goals gouache Grosz Henry Moore Homer Impressionists ink on rice Jean Dubuffet John Marin Klee landscape light materials meaning ment method mind Modern Art move movement Museum of Modern nature noted opaque painter palette patterns Paul Klee pose produced purpose rare Renaissance result reveals rice paper Sam Francis sense SERISAWA shapes spontaneous statement structure superb surface symbols synthetics textures things tion traditional transparent watercolor ture Turner viewer virtually visual vital wash water-base Watercolor and ink watercolor medium Watercolor on paper watercolor painting Winslow Homer York