The Content of WatercolorVan Nostrand Reinhold Company, 1969 - 143 psl. |
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18 psl.
... follow . Even more sur- prising is the marked resemblance to many contemporary works . The softness of mass , the crispness of calligraphy , the glazing of color over color and color over raw sur- face are methods found in today's paint ...
... follow . Even more sur- prising is the marked resemblance to many contemporary works . The softness of mass , the crispness of calligraphy , the glazing of color over color and color over raw sur- face are methods found in today's paint ...
21 psl.
... follow . In Danzatore , we note the profiling seen in the three Egyptian figures on the opposite page ; yet the action is far more vigorous and there is less of a reliance upon symbolism . This comparison holds true not only with these ...
... follow . In Danzatore , we note the profiling seen in the three Egyptian figures on the opposite page ; yet the action is far more vigorous and there is less of a reliance upon symbolism . This comparison holds true not only with these ...
80 psl.
... follow your plan then you are less the artist is pure nonsense and was a source of great irritation to me in my art - student days . To elaborate further , let us assume that an artist begins a painting that will presumably occupy him ...
... follow your plan then you are less the artist is pure nonsense and was a source of great irritation to me in my art - student days . To elaborate further , let us assume that an artist begins a painting that will presumably occupy him ...
Turinys
CONTENTS | 7 |
The Background of the Artist | 38 |
The Contemporary School | 58 |
Autorių teisės | |
Nerodoma skirsnių: 3
Pagrindiniai terminai ir frazės
28½ inches acrylic areas artist attempt brush calligraphy casein Cézanne Cézanne's Charles Demuth collage COLLECTION complete concern contemporary COURTESY creative Crystalware DON GARBER draftsman draftsmanship drawing dynamic efforts egg tempera Egon Schiele emotional emulsion Ernst Wilhelm Nay Etruscan example executed experience explore gain GALLERY George Grosz goals gouache Grosz Henry Moore Homer Impressionists ink on rice Jean Dubuffet John Marin Klee landscape light materials meaning ment method mind Modern Art move movement Museum of Modern nature noted opaque painter palette patterns Paul Klee pose produced purpose rare Renaissance result reveals rice paper Sam Francis sense SERISAWA shapes spontaneous statement structure superb surface symbols synthetics textures things tion traditional transparent watercolor ture Turner viewer virtually visual vital wash water-base Watercolor and ink watercolor medium Watercolor on paper watercolor painting Winslow Homer York