Patterns in Shakespearian TragedyRoutledge, 2013-09-13 - 224 psl. First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Rezultatai 1–5 iš 9
9 psl.
... tragic sensibility owing to their own life experiences. As Morgenthau wrote, “To improve the world, one must work with” the basest forces of human nature, “not against them.”15 This is neither cynicism nor pessimism, which would have ...
... tragic sensibility owing to their own life experiences. As Morgenthau wrote, “To improve the world, one must work with” the basest forces of human nature, “not against them.”15 This is neither cynicism nor pessimism, which would have ...
26 psl.
... Tragically , she died of an illness in 1905. Yet many think that she is part of the community once again - in the form of a ghost . Grandstreet ... Tragic Theaters Around the World Glossary Read More Learn More Online Index About the Author.
... Tragically , she died of an illness in 1905. Yet many think that she is part of the community once again - in the form of a ghost . Grandstreet ... Tragic Theaters Around the World Glossary Read More Learn More Online Index About the Author.
35 psl.
... tragically with the punishment of the “autotype of the huge national vice of England.” Perhaps, however, Puritan hypocrisy was not so widespread or so powerful in the time of Shakespeare as it is nowadays; perhaps, too, Shakespeare was ...
... tragically with the punishment of the “autotype of the huge national vice of England.” Perhaps, however, Puritan hypocrisy was not so widespread or so powerful in the time of Shakespeare as it is nowadays; perhaps, too, Shakespeare was ...
50 psl.
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96 psl.
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Turinys
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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Pagrindiniai terminai ir frazės
accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York