Victorian Modernism: Pragmatism and the Varieties of Aesthetic ExperienceCambridge University Press, 2002-09-26 - 261 psl. In Victorian Modernism: Pragmatism and the Varieties of Aesthetic Experience Jessica Feldman sheds a pragmatist light on the relation between the Victorian age and Modernism by dislodging truistic notions of Modernism as an art of crisis, rupture, elitism and loss. Examining the works of John Ruskin (art critic and social thinker), Dante Gabriel Rossetti (poet and painter), Augusta Evans (best-selling domestic novelist,)and William James (philosopher and psychologist), Feldman relates them to selected twentieth-century creations. |
Turinys
John Ruskins Victorian Modernism | 17 |
aestheticism and pragmatism | 56 |
domesticity | 112 |
The Victorian Modernism | 172 |
Afterword | 223 |
| 258 | |
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Pagrindiniai terminai ir frazės
16 Cheyne Walk actual aesthetic aestheticism Alexander Baumgarten American architecture arrangements artistic audience Augusta Evans beauty Cambridge century Cheyne Walk Christian complex confusion create creation critical culture Dante Gabriel Rossetti decadent decoration describes domestic novelists dwelling E. T. Cook Edna Edna's Elmo Elmo's rooms emotional Essays Evans's example explore feeling feminine feminized fiction Francesca Harvard University Press heart Helsinger hereafter cited human images imagination intense James's Jerome McGann John Ruskin LDGR literary literature lives masculine mind moral narrative nature never nineteenth-century notion novel objects ornamentation Oscar Wilde Oxford painter paintings Patagonia patterns philosophical poems poetry popular Pragmatism pragmatist Pre-Raphaelite prose Proust readers realm relation religious experience repose Roadside Songs scene sensibility sentimental sonnet space story sublime tender things truth understand Varieties Victorian Modernism Victorian Modernist Wallace Stevens William James William Michael Rossetti woman women writing York