Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 psl. |
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Rezultatai 1–5 iš 99
xiii psl.
... speak and act with equal truth ; not only does he transport himself to distant ages and foreign nations , and portray in the most accurate manner , with only a few apparent viola- tions of costume , the spirit of the ancient Romans , of ...
... speak and act with equal truth ; not only does he transport himself to distant ages and foreign nations , and portray in the most accurate manner , with only a few apparent viola- tions of costume , the spirit of the ancient Romans , of ...
2 psl.
... speaking of the early English stage , ac- counts for the want of prominence and theatrical display in Shakspeare's female characters from the circumstance , that wo- men in those days were not allowed to play the parts of women , which ...
... speaking of the early English stage , ac- counts for the want of prominence and theatrical display in Shakspeare's female characters from the circumstance , that wo- men in those days were not allowed to play the parts of women , which ...
3 psl.
... oh husband , shall be thought Put on for villainy : not born where ' t grows , But worn a bait for ladies . PISANIO . Good Madam , hear me- IMOGEN . Talk thy tongue weary , speak : I have heard I am a strumpet , and mine CYMBELINE .
... oh husband , shall be thought Put on for villainy : not born where ' t grows , But worn a bait for ladies . PISANIO . Good Madam , hear me- IMOGEN . Talk thy tongue weary , speak : I have heard I am a strumpet , and mine CYMBELINE .
7 psl.
... speak : we poor unfledg'd Have never wing'd from view o ' th ' nest ; nor know not What air's from home . Haply this life is best , If quiet life is best ; sweeter to you That have a sharper known ; well corresponding With your stiff ...
... speak : we poor unfledg'd Have never wing'd from view o ' th ' nest ; nor know not What air's from home . Haply this life is best , If quiet life is best ; sweeter to you That have a sharper known ; well corresponding With your stiff ...
15 psl.
... speaking ) is done upon a stronger and more systematic principle of contrast than any other of Shak- speare's plays . It moves upon the verge of an abyss , and is a constant struggle between life and death . The action is despe- rate ...
... speaking ) is done upon a stronger and more systematic principle of contrast than any other of Shak- speare's plays . It moves upon the verge of an abyss , and is a constant struggle between life and death . The action is despe- rate ...
Kiti leidimai - Peržiūrėti viską
Characters of Shakespeare's Plays– & Lectures on the English Poets William Hazlitt Peržiūra negalima - 2015 |
Pagrindiniai terminai ir frazės
admirable affections Beaumont and Fletcher beauty Ben Jonson blood breath Cæsar character comedy Coriolanus critic D'Ol death delight dost doth dramatic Duke effeminacy Endymion Eumenides eyes Falstaff fancy fear feeling fire fools fortune friends genius give grace hand hast hath heart heaven honour human Iago imagination Jeremy Taylor Jonson king kiss Lear learning live look lord Macbeth MALVOLIO manner Michael Drayton mind moral Muse nature never night noble Othello passages passion person pity play pleasure poet poetical poetry pride prince quincunxes racter Rhod rich Richard III scene seems Sejanus sense sentiment Shak Shakspeare Shakspeare's Sir Rod Sir Thomas Brown sleep soul speak spirit striking style sweet tell thee things thou art thought tion Titus Andronicus tragedy true truth unto virtue wife Witches words writers youth
Populiarios ištraukos
144 psl. - Let's choose executors and talk of wills : And yet not so — for what can we bequeath Save our deposed bodies to the ground? Our lands, our lives, and all are Bolingbroke's, And nothing can we call our own but death, And that small model of the barren earth Which serves as paste and cover to our bones.
167 psl. - The spinsters and the knitters in the sun, And the free maids that weave their thread with bones, Do use to chant it ; it is silly sooth, And dallies with the innocence of love, Like the old age.
73 psl. - What is a man, If his chief good and market of his time Be but to sleep and feed? a beast, no more. Sure he that made us with such large discourse, Looking before and after, gave us not That capability and god-like reason To fust in us unus'd.
73 psl. - Makes mouths at the invisible event, Exposing what is mortal, and unsure To all that fortune, death and danger dare, Even for an egg-shell.
104 psl. - This is the excellent foppery of the world, that, when we are sick in fortune, — often the surfeit of our own behaviour, — we make guilty of our disasters the sun, the moon, and the stars...
84 psl. - Treason, felony, Sword, pike, knife, gun, or need of any engine Would I not have ; but nature should bring forth Of its own kind, all foison, all abundance, To feed my innocent people.
xx psl. - Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath...
112 psl. - Lear. Pray, do not mock me : I am a very foolish fond old man, Fourscore and upward, not an hour more nor less ; And, to deal plainly, I fear I am not in my perfect mind.
210 psl. - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become A kneaded clod ; and the delighted spirit To bathe in fiery floods...
101 psl. - Ah ! dear Juliet, Why art thou yet so fair ? Shall I believe That unsubstantial Death is amorous, And that the lean abhorred monster keeps Thee here in dark to be his paramour ? For fear of that I...