The Poetics of Disappointment: Wordsworth to AshberyUniversity of Virginia Press, 1999 |
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x psl.
... writing his last lyrics , which adopt a rhetoric quite distinct from the lofty , impersonal style of " The Triumph of Life , " with its tendency toward apothegm and its interest in philosophical gen- eralization . Shelley's late lyrics ...
... writing his last lyrics , which adopt a rhetoric quite distinct from the lofty , impersonal style of " The Triumph of Life , " with its tendency toward apothegm and its interest in philosophical gen- eralization . Shelley's late lyrics ...
xii psl.
... writers , Stevens and Ashbery . This work passes over romanticism's endowment to the second half of the nineteenth and the early twentieth centuries , when a number of major poets including Tennyson , Browning , Hardy , and Yeats ...
... writers , Stevens and Ashbery . This work passes over romanticism's endowment to the second half of the nineteenth and the early twentieth centuries , when a number of major poets including Tennyson , Browning , Hardy , and Yeats ...
xiii psl.
... writing and experienced it more and more as a form of grim exile or unreward- ing " désoeuvrement . " This transition was occurring at the same time that his writing was becoming increasingly powerful , but that makes no dif- ference ...
... writing and experienced it more and more as a form of grim exile or unreward- ing " désoeuvrement . " This transition was occurring at the same time that his writing was becoming increasingly powerful , but that makes no dif- ference ...
xiv psl.
... writing because it is as irresolvable as writing is purposeless . However , I do not expect to dispel the force of paradox with abstract argument . This book will demonstrate through examples that a work in the first person can deny the ...
... writing because it is as irresolvable as writing is purposeless . However , I do not expect to dispel the force of paradox with abstract argument . This book will demonstrate through examples that a work in the first person can deny the ...
xv psl.
... writing . I am also grateful for permission to quote : Excerpts from " The Book of Ephraim " from The Changing Light at handover by James Merrill , copyright © 1980 , 1982 by James Merrill . Reprinted by permission of Alfred A. Knopf ...
... writing . I am also grateful for permission to quote : Excerpts from " The Book of Ephraim " from The Changing Light at handover by James Merrill , copyright © 1980 , 1982 by James Merrill . Reprinted by permission of Alfred A. Knopf ...
Turinys
Introduction I | 9 |
A Love in Desolation Masked | 66 |
Last Thoughts of the Unfinished Thinker | 95 |
The Soul Is Not a Soul | 136 |
Afterword | 171 |
191 | |
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ambition Ashbery Ashbery's Auroras Auroras of Autumn become Bloom canto Coleridge consolation crisis lyric describes desire desolation despair destiny disap disillusionment dream elegiac emotional empty existential experience failure family romance fantasy fate feeling finds first-person Freud frustration Gray's grief Harmonium Harold Bloom heart hope human humiliation Ibid idealization illusion imagination impasse inner intellectual Intimations Ode John Ashbery Kierkegaard late lyrics late poems LAURA QUINNEY Lerici lines loss lost Magnetic Lady means melancholia ment mind mother mourning narcissism narcissistic nature nostalgia object one's ontological pain pathos poem's poems of disappointment poetic poetry poets pointment portrays present Prometheus Unbound promise psychological representation represents rhetoric romantic romanticism sadness self-conception self-consciousness Self-Portrait self's sense Shelley Shelley's solipsism sonnet sorrow soul speaker spirit stanza Stevens's suffering takes teleology theme things thought Tintern Abbey tion transcendent Triumph turn Vendler Wallace Stevens Wordsworth Wordsworth and Coleridge