Blackwood's Magazine, 92 tomasW. Blackwood, 1862 |
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66 psl.
... Napoleon Premier , and the fear of invasion from Napoleon Troisième , had left the English Gov- ernment little time or means for the purchase of pictures or the promo- tion of the arts . 6 Since the above , it became in turn our own ...
... Napoleon Premier , and the fear of invasion from Napoleon Troisième , had left the English Gov- ernment little time or means for the purchase of pictures or the promo- tion of the arts . 6 Since the above , it became in turn our own ...
173 psl.
... Napoleon by saying " Il gênait Dieu , " must be one so intrepid in silly bombast , so willing to sacrifice every consideration to paltry " effect , " that he could never be fondly cherished in this coun- try . The habitual irreverence ...
... Napoleon by saying " Il gênait Dieu , " must be one so intrepid in silly bombast , so willing to sacrifice every consideration to paltry " effect , " that he could never be fondly cherished in this coun- try . The habitual irreverence ...
231 psl.
... Napoleon's designs , and he had to submit , poor fellow , to behold a blank in the Louvre ; where all the other finest pictures in the world were assembled , those of Dresden were wanting to make the thing complete . To add to the ...
... Napoleon's designs , and he had to submit , poor fellow , to behold a blank in the Louvre ; where all the other finest pictures in the world were assembled , those of Dresden were wanting to make the thing complete . To add to the ...
245 psl.
... Napoleon III . He - tells us nothing that affects the now moot question of our fortifi- cations , iron fleets , and Armstrong guns . It is Imperialism at home that forms the subject of his mus- ings . The Emperor in relation to the Army ...
... Napoleon III . He - tells us nothing that affects the now moot question of our fortifi- cations , iron fleets , and Armstrong guns . It is Imperialism at home that forms the subject of his mus- ings . The Emperor in relation to the Army ...
246 psl.
... Napoleon III . will see it out , the cycle of revolution is nearing its close . However per- plexing each successive phase of recent French history appears when taken by itself , we are now enabled to view the stream of events over so ...
... Napoleon III . will see it out , the cycle of revolution is nearing its close . However per- plexing each successive phase of recent French history appears when taken by itself , we are now enabled to view the stream of events over so ...
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Agamemnon ain't army Arthur Austria beauty called Carlingford Church Clytemnestra Conchology Count Cavour course dear door doubt dreadful Emperor England English Euripides eyes face favour feel France French Garibaldi genius German give Government hand head heard heart honour hope Iphi Iphigenia Iphigenia in Aulis Italian Italy kind King Lady Western land look Lord Lord Stanhope matter means ment mind minister mother Napoleon nature ness never once Orestes party passed perhaps Phoebe Pitt poet political poor present Prussian Quatre Bras Quirang reader Rome Salem Sardinia scarcely Scotland Scots seems Shiraz sion soul stranger sure Susan sympathy tain tell Thiers thing thou thought Tickler tion took Tozer troops ture Turin utter Victor Hugo Vincent Wavre whole woman wonder words young
Populiarios ištraukos
586 psl. - To veer, how vain ! On, onward strain, Brave barks! In light, in darkness too, Through winds and tides one compass guides — To that, and your own selves, be true.
10 psl. - ... Give thy thoughts no tongue, Nor any unproportion'd thought his act. Be thou familiar, but by no means vulgar. Those friends thou hast, and their adoption tried, Grapple them to thy soul with hoops of steel, But do not dull thy palm with entertainment Of each new-hatch'd, unfledged comrade. Beware Of entrance to a quarrel, but being in, Bear't that the opposed may beware of thee.
101 psl. - In those days was Hezekiah sick unto death. And the prophet Isaiah the son of Amoz came to him, and said unto him, Thus saith the Lord, Set thine house in order; for thou shalt die, and not live.
576 psl. - How often sit I, poring o'er My strange distorted youth, Seeking in vain, in all my store, One feeling based on truth; Amid the maze of petty life A clue whereby to move, A spot whereon in toil and strife To dare to rest and love. So constant as my heart would be, So fickle as it must, 'Twere well for others as for me 'Twere dry as summer dust.
94 psl. - My father held his hand upon his face ; I, blinded with my tears, " Still strove to speak : my voice was thick with sighs As in a dream. Dimly I could descry The stern black-bearded kings with wolfish eyes, Waiting to see me die. " The high masts flicker'd as they lay afloat ; The crowds, the temples, waver'd, and the shore ; The bright death quiver'd at the victim's throat ; Touch'd; and I knew no more.
353 psl. - It ought, in my opinion, to be indispensably observed, that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish- white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and for this purpose, a small proportion of cold colours will be sufficient.
586 psl. - E'en so — but why the tale reveal Of those whom, year by year unchanged, Brief absence joined anew to feel, Astounded, soul from soul estranged. At dead of night their sails were filled...
352 psl. - The likeness of a portrait, as I have formerly observed, consists more in preserving the general effect of the countenance, than in the most minute finishing of the features, or any of the particular parts.
80 psl. - But I have sinuous shells of pearly hue Within, and they that lustre have imbibed In the sun's palace-porch, where when unyoked His chariot-wheel stands midway in the wave: Shake one and it awakens, then apply Its polisht lips to your attentive ear, And it remembers its august abodes, And murmurs as the ocean murmurs there.
69 psl. - ... the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination ; and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveller is hasting to his wine, and the mourner burying his friend...