The Tragedie of Antonie and CleopatraClassic Books Company, 2001 - 500 psl. The Shakespearean Original series aims to provide readers of modern drama with 16th and 17th century laytexts which have been treated as historical documents, and will be reproduced in a form as close as the conditions of modern publication will permit to their original forms. KEY TOPICS: The Series has generated considerable debate in the academic community; it is very controversial. Students, researchers, teachers in Literary Studies and Shakespeare Studios. |
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v psl.
... plays whereof we have Quartos over those whereof we have none. There have been times, I confess, in this present play, when I have been tempted to sigh for a Quarto; but the sigh has been stifled by the reflection that, in all ...
... plays whereof we have Quartos over those whereof we have none. There have been times, I confess, in this present play, when I have been tempted to sigh for a Quarto; but the sigh has been stifled by the reflection that, in all ...
vi psl.
... play the sole Text that is come down to us is, therefore, that of the Folio of 1623, which, in the following pages, is reproduced with all the fidelity which unwearied pains can bestow. It is not generally realised, I think, to what an ...
... play the sole Text that is come down to us is, therefore, that of the Folio of 1623, which, in the following pages, is reproduced with all the fidelity which unwearied pains can bestow. It is not generally realised, I think, to what an ...
vii psl.
... play which come to us exactly as Shakespeare's printers have transmitted them, excepting a difference in spelling which would not trouble a school boy withal. Furthermore, there is to be learned from this a second lesson, to be deeply ...
... play which come to us exactly as Shakespeare's printers have transmitted them, excepting a difference in spelling which would not trouble a school boy withal. Furthermore, there is to be learned from this a second lesson, to be deeply ...
viii psl.
... plays taken down by shorthand during a performance. All that I contend for is that they are due to the practice of ... play. The Text of the First Folio reads : ' To such whose places vnder vs.' for ' To such whose place is under us ...
... plays taken down by shorthand during a performance. All that I contend for is that they are due to the practice of ... play. The Text of the First Folio reads : ' To such whose places vnder vs.' for ' To such whose place is under us ...
x psl.
... plays with our mind the proverbial tabula rasa, whence every previous record has been wiped away, and all the light we have comes, u ntinted, direct from Shakespeare. In the present play I think two characters, at least, have suffered ...
... plays with our mind the proverbial tabula rasa, whence every previous record has been wiped away, and all the light we have comes, u ntinted, direct from Shakespeare. In the present play I think two characters, at least, have suffered ...
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Pagrindiniai terminai ir frazės
adopted Antony Antony's appears arms bear beauty become believe better bring Caesar called Capell Ccefar character Cleo Cleopatra Coll death doubt Dyce edition editors Egypt Enobarbus Enter Eros et seq expression eyes fear Folio fortune Friends give given Gods hand haue hear heart Iras Italy Johns Johnson king Ktly leave look Lord lost meaning mind nature never noble Octavia once passage perhaps person play Plutarch poet Pope possible present queen refers Roman Rome Rowe et seq says Scene seems sense Shakespeare Sing soul speak speech Steev Steevens subs suppose sure tell thee Theob things thou thought tragedy true Varr vnto Walker Warb woman
Populiarios ištraukos
345 psl. - My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite.
27 psl. - And he sent them to Bethlehem, and said, Go, and search diligently for the young child, and when ye have found him, bring me word again, that I may come and worship him also.
366 psl. - He words me, girls, he words me, that I should not Be noble to myself; but hark thee, Charmian. [Whispers CHARMIAN. Iras. Finish, good lady ; the bright day is done, And we are for the dark.
xv psl. - His legs bestrid the ocean : his rear'd arm Crested the world : his voice was propertied As all the tuned spheres, and that to friends ; But when he meant to quail and shake the orb, He was as rattling thunder. For his bounty, There...
135 psl. - HIGH on a throne of royal state, which far Outshone the wealth of Ormus and of Ind, Or where the gorgeous East with richest hand Showers on her kings barbaric pearl and gold...
178 psl. - His life was gentle, and the elements So mix'd in him that Nature might stand up And say to all the world, 'This was a man!
294 psl. - Nay, do not think I flatter ; For what advancement may I hope from thee, That no revenue hast but thy good spirits, To feed and clothe thee ? Why should the poor be flatter'd ? No, let the candied tongue lick absurd pomp, And crook the pregnant hinges of the knee Where thrift may follow fawning.
xv psl. - My desolation does begin to make A better life : Tis paltry to be Caesar; Not being fortune, he's but fortune's knave, A minister of her will ; And it is great To do that thing that ends all other deeds ; Which shackles accidents, and bolts up change; Which sleeps, and never palates more the dung, The beggar's nurse and Caesar's.