Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 psl. Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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245 psl.
... role . The shyness and timidity felt by many performers , far from harming them , may be useful and even necessary . Human beings may be divided into inhibitionists and exhibitionists , according to the way in which they externalize ...
... role . The shyness and timidity felt by many performers , far from harming them , may be useful and even necessary . Human beings may be divided into inhibitionists and exhibitionists , according to the way in which they externalize ...
500 psl.
... role and that it was in just those portions that all his technical work on the role seemed not to be apparent . 6. Is it possible for an actor , who has not attained the great simplicity , aspired to by Russian art , to create a ...
... role and that it was in just those portions that all his technical work on the role seemed not to be apparent . 6. Is it possible for an actor , who has not attained the great simplicity , aspired to by Russian art , to create a ...
551 psl.
... role of the Yankee in Our American Cousin in which Edward Askew Sothern played the role of Lord Dundreary . With the Boucicaults at the Winter Garden he appeared as Caleb Plummer in Boucicault's version of The Cricket on the Hearth and ...
... role of the Yankee in Our American Cousin in which Edward Askew Sothern played the role of Lord Dundreary . With the Boucicaults at the Winter Garden he appeared as Caleb Plummer in Boucicault's version of The Cricket on the Hearth and ...
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action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York