Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 psl. Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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152 psl.
... theatre . In the spirit of Molière , he created the Théâtre du Vieux Colombier . In 1921 , Dullin organized the Atelier devoted to " pure theatre , " where his dedication to intensive work on diction , gesture , and basic breathing ...
... theatre . In the spirit of Molière , he created the Théâtre du Vieux Colombier . In 1921 , Dullin organized the Atelier devoted to " pure theatre , " where his dedication to intensive work on diction , gesture , and basic breathing ...
211 psl.
... theatre . The core of the company of the Théâtre Libre has been composed , for these three past winters , of young people who have come from various private organiza- tions where they put on plays for their personal pleasure . This does ...
... theatre . The core of the company of the Théâtre Libre has been composed , for these three past winters , of young people who have come from various private organiza- tions where they put on plays for their personal pleasure . This does ...
713 psl.
... Théâtre Antoine , Paris , 210 Théâtre Athénée , Paris , 152 , 240 Théâtre d'Art , Paris , 151 Théâtre de France , 152 , 246 , 481 Théâtre de la Foire , 228 Théâtre de la Renaissance , Paris , 151 Théâtre de la République , Paris , 179 ...
... Théâtre Antoine , Paris , 210 Théâtre Athénée , Paris , 152 , 240 Théâtre d'Art , Paris , 151 Théâtre de France , 152 , 246 , 481 Théâtre de la Foire , 228 Théâtre de la Renaissance , Paris , 151 Théâtre de la République , Paris , 179 ...
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action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York