Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 psl. Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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326 psl.
... Peter Brook's production as well as later experiments by Brook with the Theatre of Cruelty that led to his triumphant Marat / Sade by Peter Weiss . In 1963 the establishment of the National Theatre at the Old Vic with Sir Laurence ...
... Peter Brook's production as well as later experiments by Brook with the Theatre of Cruelty that led to his triumphant Marat / Sade by Peter Weiss . In 1963 the establishment of the National Theatre at the Old Vic with Sir Laurence ...
418 psl.
... Peter Brook . In 1955-1956 he played at the Phoenix Theatre under Peter Brook's direction in T. S. Eliot's The Family Reunion , Hamlet , which they took to Moscow , and Graham Greene's The Power and the Glory . His creation of the ...
... Peter Brook . In 1955-1956 he played at the Phoenix Theatre under Peter Brook's direction in T. S. Eliot's The Family Reunion , Hamlet , which they took to Moscow , and Graham Greene's The Power and the Glory . His creation of the ...
430 psl.
... Peter Brook in 1962 on the important production of King Lear with Paul Scofield at the Royal Shakespeare Theatre , Stratford - on - Avon . His " Lear Log " is an invaluable record . In the following year he worked with Peter Brook to ...
... Peter Brook in 1962 on the important production of King Lear with Paul Scofield at the Royal Shakespeare Theatre , Stratford - on - Avon . His " Lear Log " is an invaluable record . In the following year he worked with Peter Brook to ...
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action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York