And you speak-and bring with you When you called to me my name, When I heard your single cry All the sound was as the "sweet When you sang the Schwalbenlied, 'Twas absurd, But it seemed no human note That I heard; For your strain had all the trills, All the little shakes and stills, Of the over-song that rills From a bird. You have just their eager, quick "Airs de tête," All their flush and fever-heat When elate; Every bird-like nod and beck, And a bird's own curve of neck When she gives a little peck To her mate. When you left me, only now, In that furred, Puffed, and feathered Polish dress, I was spurred Just to catch you, O my Sweet, Just to feel your heart a-beat, Not a whit for rest or hush; But the leaves, the lyric gush, And the wing-power, and the rush So I dare not woo you, Sweet, For a day, Lest I lose you in a flash, As I may; Did I tell you tender things, You would shake your sudden wings; You would start from him who sings, And away. THE LOVE-LETTER J'ai vu les mœurs de mon tems, et j'ai publié cette lettre." IF this should fail, why then I scarcely know What could succeed. Here's brilliancy (and banter), Byron ad lib., a chapter of Rousseau ; If this should fail, then tempora mutantur; Style's out of date, and love, as a profession, Acquires no aid from beauty of expression. "The men who think as I, I fear, are few," (Cynics would say twere well if they were fewer); "I am not what I seem,"-(indeed, 'tis true; Though, as a sentiment, it might be newer); "Mine is a soul whose deeper feelings lie More deep than words "-(as these exemplify). "I will not say when first your beauty's sun Illumed my life,"(it needs imagination); "For me to see you and to love were one,”. (This will account for some precipitation); "Let it suffice that worship more devoted Ne'er throbbed," et cætera. The rest is quoted. "If Love can look with all-prophetic eye,”(Ah, if he could, how many would be single!) "If truly spirit unto spirit cry," (The ears of some most terribly must tingle!) "Then I have dreamed you will not turn your face." This next, I think, is more than commonplace. "Why should we speak, if Love, interpreting, Forestall the speech with favour found before Why should we plead ?-it were an idle thing, If Love himself be Love's ambassador!" Blot, as I live! Shall we erase it? No ;"Twill show we write currente calamo. "My fate, my fortune, I commit to you," "My life is yours-I lay it at your feet," 'Give me the right to stand within the shrine, Where never yet my faltering feet intruded; Give me the right to call you wholly mine," (That is, Consols and Three-per-Cents included); "To guard your rest from every care that cankers, To keep your life, (and balance at your banker's). "Compel me not to long for your reply; Suspense makes havoc with the mind-(and muscles); "Winged Hope takes flight,"-(which means that I must fly, Default of funds, to Paris or to Brussels); "I cannot wait! My own, my queen-PRISCILLA! Write by return." And now for a Manilla! "Miss Blank," at "Blank." Jemima, let it go; And I, meanwhile, will idle with "Sir Walter "; Stay, let me keep the first rough copy, though'Twill serve again. There's but the name to alter; And Love, that starves,-must knock at every portal, In forma pauperis. We are but mortal! |