Per Into APOLLO and the lustrous DIAN; walbe And when the wings of morn commenced to fan Che darkness from the east, afar there rose, Within the thick and odour-dropping forests, [est, en Where moss was grayest and dim caves were hoarAfar there rose the known and dreadful hiss Est Of the pursuing dragon. Agonies Grew on LATONA'S Soul; and she had fled, The dragon lay. Thus the young sun-god slew By their fierce fights. LATONA, then, might roam 28 And build no altars: 't is a heart alone; Such as it is, I give it 't is thy own. TO THE MOCKING-BIRD. THOU glorious mocker of the world! I hear Where misery gnaws the maiden's heart within: Is one so dear as thee to these old solitudes? deferr'd While naught of sorrow casts a dimness o'er The brilliance of thy heart-but I must wear As now, my garmenting of pain and careAs penitents of old their galling sackcloth wore. Yet why complain ?-What though fond hopes [gloom! Have overshadow'd Youth's green paths with Still, joy's rich music is not all unheard,— There is a voice sweeter than thine, sweet bird, To welcome me, within my humble home;There is an eye with love's devotion bright, The darkness of existence to illume! Then why complain?-When death shall cast his Over the spirit, then my bones shall rest Beneath these trees-and from thy swelling breast, O'er them thy song shall pour like a rich flood of light. [blight TO SPRING. O THOU delicious Spring! Nursed in the lap of thin and subtle showers, That over grassy walks their greenness fling, Thou lover of young wind, That cometh from the invisible upper sea [bind, Makes young leaves dance with glee, Come to us; for thou art Like the fine love of children, gentle Spring! A tide of gentle but resistless art Red Autumn from the south Contends with thee; alas! what may he show? Giving carth-piercing flowers their primal growth, Gay Summer conquers thee; And yet he has no beauty such as thine; What is his ever-streaming, fiery sea, To the pure glory that with thee doth shine? What may his dull and lifeless minstrelsy Come, sit upon the hills, And bid the waking streams leap down their side, I too will breathe of thy delicious thrills, Alas! bright Spring, not long Shall I enjoy thy pleasant influence; For thou shalt die the summer heat among, Sublimed to vapour in his fire intense, And, gone forever hence, Exist no more: no more to earth belong, So I who sing shall die: Worn unto death, perchance, by care and sorrow; Which now sometimes I borrow, And breathe of joyance keener and more high, Ceasing to sigh! LINES WRITTEN ON THE ROCKY THE deep, transparent sky is full Of many thousand glittering lightsUnnumber'd stars that calmly rule The dark dominions of the night. The mild, bright moon has upward risen, Out of the gray and boundless plain, And all around the white snows glisten, Where frost, and ice, and silence reign,While ages roll away, and they unchanged rema These mountains, piercing the blue sky With their eternal cones of ice; And waste as with a living death, Unwelcome guest, and lingereth Where he is a forgotten name; to tame. The wind comes rushing swift by me, Pouring its coolness on my brow; To one who walks with bleeding fect And calmness gathers there, while life is ebbing fast. Perhaps, when I have pass'd away, Like the sad echo of a dream, A word that might like sorrow seem. To breathe away this life of pain, I murmur not. THE paternal ancestors of Mr. BENJAMIN came to New England at an early period from Wales. His father, who was a merchant, resided many years at Demerara, in British Guiana, where he acquired a large fortune. There the subject of this notice was born in the year 1809. When he was about three years old, in consequence of a severe illness he was brought to this country, under the care of a faithful female guardian, and here, except during a few brief periods, he has since resided. The improper medical treatment to which he had been subjected in Demerara prevented his complete restoration under the more skilful physicians of New England, and he has been lame from his childhood; but I believe his general health has been uniformly good for many years. While a boy he was sent to an excellent school in the rural village of Colchester, in Connecticut. At twelve he was removed to New Haven, where he resided three years in his father's family, after which he was sent to a private boarding school near Boston, in which he remained until he entered Harvard College, in 1825. He left this venerable institution before the close of his second academic year, in consequence of a protracted and painful illness, and on his recovery entered Washington College, at Hartford, then under the presidency of the Right Reverend THOMAS C. BROWNELL, now Bishop of Connecticut. He was graduated in 1829, with the highest honours of his class. In 1830, Mr. BENJAMIN entered the Law School at Cambridge, at that time conducted by Mr. Justice STORY and Professor ASHмUN. He pursued his legal studies with much industry for a considerable period at this seminary, but finished the acquirement of his profession at New Haven, under Chief Justice DAGGETT and Professor HITCHCOCK. He was admitted to the Connecticut bar in 1833, and removing soon after to Boston, the residence of his relatives and friends, he was admitted to the courts of Massachusetts, as attorney and counsellor at law and solicitor in chancery. His disposition to devote his time to literature prevented his entering upon the practice of his profession, and on the death of EDWIN BUCKINGHAM, one of its original editors, I believe he became connected with the "New England Magazine." In 1836 that periodical was joined to the "American Monthly Magazine," published in New York, and edited by CHARLES F. HOFFMAN, and Mr. BENJAMIN was soon after induced to go to reside permanently in that city. By unfortunate investments, and the calamities in which so many were involved in that period, he had lost most of his patrimonial property, and the remainder of it he now invested in a publishing establishment; but the commercial distress of the time, by which many of the wealthiest houses were overthrown, prevented the realization of his expectations, and the business was abandoned. He purchased, I believe, near the close of the year 1837, the "American Monthly Magazine," and for about two years conducted it with much ability; but by giving to some of the later numbers of it a political character, its prosperity was destroyed, and he relinquished it to become associated with Mr. HORACE GREELEY in the editorship of the "New Yorker," a popular weekly periodical, devoted to literature and politics. In 1840 several weekly gazettes of unprecedented size were established in New York, and rapidly attained a great circulation. With the most prominent of these he was connected, and his writings contributed largely to its success. In both prose and verse Mr. BENJAMIN has been a very prolific author. His rhythmical compositions would fill many volumes. They are generally short. "A Poem on the Contemplation of Nature," read before the classes of Washington College, on the day of his graduation; « Poetry, a Satire," published in 1843, and "Infatuation, a Satire," published in 1845, are the longest of his printed works. He has written several dramatic pieces, of which only fragments have been given to the public. There have not been many successful American satires. TRUMBULL'S "Progress of Dulness" and McFingal," are the best that had been produced at the close of the Revolution. FRENEAU, HOPKINS, DWIGHT, ALSOP, CLIFFTON, and others, attempted this kind of writing with various success, ,but none of them equalled TRUMBULL. More recently FESSENDEN, VERPLANCK, PIERPONT, HALLECK, HOLMES, WARD, OSBORN, and BENJAMIN, have essayed it. HALLECK'S "Fanny" and Epistles" are witty, spirited and playful, but local in their application. The "Vision of Rubeta" has felicitous passages, and shows that its author is a scholar, but it is cumbrous and occasionally coarse. Mr. BENJAMIN's satires are lively, pointed, and free from malignity or licentiousness. In some of his shorter poems, Mr. BENJAMIN has shown a quick perception of the ridiculous; in others, warm affections and a meditative spirit; and in more, gayety. His poems are adorned with apposite and pretty fancies, and seem generally to be expressive of actual feelings. Some of his humourous pieces, as the sonnet entitled " Sport," which is quoted in the following pages, are happily expressed, but his style is generally more like that of an improvisator than an artist. He rarely makes use of the burnisher. GOLD. "Gold is, in its last analysis, the sweat of the poor and WASTE treasure like water, ye noble and great! Though from the night of the fathomless mine Your heads are not bare to the wind and the rain- 66 The sweat of the poor and the blood of the brave?" An army goes out in the morn's early light, UPON SEEING A PORTRAIT OF A LADY, PAINTED BY GIOVANNI C. THOMPSON. THERE is a sweetness in those upturn'd eyes, As if they saw strange beauty in the air; Casting a mellow radiance over all! Sure nothing real lives, which thus can charm the THE STORMY PETREL THIS is the bird that sweeps o'er the sea- Birds of the sea, they rejoice in storms; So, mid the contest and toil of life, My soul! when the billows of rage and strife THE NAUTILUS. THE Nautilus ever loves to glide O, the selfsame hand that holds the chain raves, And the stout ship reels on the surging waves— And near the shore or far at sea, And when the moon, of fairy stars the queen, Waves her transparent wand o'er all the scene; I seek the vale, And, while inhaling the moss-rose's breath,— As the far robes of seraphs in the night, I seek the mount, And there, in closest commune with the blue, Thy spiritual glances meet my view. I seek the fount: And thou art my EGERIA, and the glade Encircling it around is holier made. I seek the brook: And, in the silver shout of waters, hear Of lilies floating from the flowery land, A likeness of my early, only love- Over the billow, and the bedded pearls, As well as in the beauty of the sea, Thine image in the loveliness that dwells Tidings, sometimes, of him who loved thee well— More than his pen can write or tongue can tell? Gaze not thine eyes (0, wild and lustrous eyes, ye were my fate!) Upon the lines he fashion'd not of late, But when the skies |