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Per Into APOLLO and the lustrous DIAN; walbe And when the wings of morn commenced to fan Che darkness from the east, afar there rose, Within the thick and odour-dropping forests, [est, en Where moss was grayest and dim caves were hoarAfar there rose the known and dreadful hiss

Est Of the pursuing dragon.

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Agonies

Grew on LATONA'S Soul; and she had fled,
And tried again the ocean's pervious bed,
Had not APOLLO, young and bright APOLLO,
Restrained from the dim and perilous hollow,
And ask'd what meant the noise. "It is, O child!
The hideous dragon that hath aye defiled
My peace and quiet, sent by heaven's queen
To slay her rival, me." Upon the green
And mossy grass there lay a nervous bow,
And heavy arrows, eagle-wing'd, which thou,
O JOVE! hadst placed within APOLLO's reach.
These grasping, the young god stood in the breach
Of circling trees, with eye that fiercely glanced,
Nostril expanded, lip press'd, foot advanced,
And arrow at the string; when, lo! the coil
Of the fierce snake came on with winding toil,
And vast gyrations, crushing down the branches,
With noise as when a hungry tiger cranches
Huge bones and then APOLLO drew his bow
Full at the eye-nor ended with one blow:
Dart after dart he hurl'd from off the string-
All at the eye-until a lifeless thing

The dragon lay. Thus the young sun-god slew
Old Juno's scaly snake: and then he threw
(So strong was he) the monster in the sea;
And sharks came round and ate voraciously,
Lashing the waters into bloody foam,

By their fierce fights. LATONA, then, might roam
In earth, air, sea, or heaven, void of dread;
For even Juxo badly might have sped
With her bright children, whom thou soon didst set
To rule the sun and moon, as they do yet.
Thou! who didst then their destiny control,
I here would woo thee, till into my soul
Thy light might sink. O JOVE! I am full sure
None bear unto thy star a love more pure
Than I; thou hast been, everywhere, to me
A source of inspiration. I should be
Sleepless, could I not first behold thine orb
Rise in the west; then doth my heart absorb,
Like other withering flowers, thy light and life;
For that neglect, which cutteth like a knife,
I never have from thee, unless the lake
Of heaven be clouded. Planet! thou wouldst make
Me, as thou didst thine ancient worshippers,
A poet; but, alas! whatever stirs
My tongue and pen, they both are faint and weak:
APOLLO hath not, in some gracious freak,
Given to me the spirit of his lyre,
Or touch'd my heart with his ethereal fire
And glorious essence: thus, whate'er I sing
Is weak and poor, and may but humbly ring
Above the waves of Time's far-booming sea.
All I can give is small; thou wilt not scorn
A heart: I give no golden sheaves of corn;
I burn to thee no rich and odorous gums;
I offer up to thee no hecatombs,

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And build no altars: 't is a heart alone; Such as it is, I give it 't is thy own.

TO THE MOCKING-BIRD.

THOU glorious mocker of the world! I hear
Thy many voices ringing through the glooms
Of these green solitudes-and all the clear,
Bright joyance of their song enthralls the ear
And floods the heart. Over the sphered tombs
Of vanish'd nations rolls thy music tide.
No light from history's starlike page illumes
The memory of those nations-they have died.
None cares for them but thou, and thou mayst sing,
Perhaps, o'er me-as now thy song doth ring
Over their bones by whom thou once wast deified.
Thou scorner of all cities! Thou dost leave
The world's turmoil and never-ceasing din,
Where one from others no existence weaves,
Where the old sighs, the young turns gray and
grieves,

Where misery gnaws the maiden's heart within:
And thou dost flee into the broad, green woods,
And with thy soul of music thou dost win
Their heart to harmony-no jar intrudes
Upon thy sounding melody. O, where,
Amid the sweet musicians of the air,

Is one so dear as thee to these old solitudes?
Ha! what a burst was that! the Eolian strain
Goes floating through the tangled passages
Of the lone woods-and now it comes again--
A multitudinous melody-like a rain
Of glossy music under echoing trees,
Over a ringing lake; it wraps the soul
With a bright harmony of happiness-
Even as a gem is wrapt, when round it roll
Their waves of brilliant flame-till we become,
E'en with the excess of our deep pleasure, dumb,
And pant like some swift runner clinging to the goal.
I would, sweet bird, that I might live with thee,
Amid the eloquent grandeur of the shades,
Alone with nature-but it may not be;
I have to struggle with the tumbling sea
Of human life, until existence fades
Into death's darkness. Thou wilt sing and soar
Through the thick woods and shadow-checker'd
glades,

deferr'd

While naught of sorrow casts a dimness o'er The brilliance of thy heart-but I must wear As now, my garmenting of pain and careAs penitents of old their galling sackcloth wore. Yet why complain ?-What though fond hopes [gloom! Have overshadow'd Youth's green paths with Still, joy's rich music is not all unheard,— There is a voice sweeter than thine, sweet bird, To welcome me, within my humble home;There is an eye with love's devotion bright, The darkness of existence to illume! Then why complain?-When death shall cast his Over the spirit, then my bones shall rest Beneath these trees-and from thy swelling breast, O'er them thy song shall pour like a rich flood of light.

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TO SPRING.

O THOU delicious Spring!

Nursed in the lap of thin and subtle showers,
Which fall from clouds that lift their snowy wing
From odorous beds of light-enfolded flowers,
And from enmassed bowers,

That over grassy walks their greenness fling,
Come, gentle Spring!

Thou lover of young wind,

That cometh from the invisible upper sea [bind,
Beneath the sky, which clouds, its white foam,
And, settling in the trees deliciously,

Makes young leaves dance with glee,
Even in the teeth of that old, sober hind,
Winter unkind,

Come to us; for thou art

Like the fine love of children, gentle Spring!
Touching the sacred feeling of the heart,
Or like a virgin's pleasant welcoming;
And thou dost ever bring

A tide of gentle but resistless art
Upon the heart.

Red Autumn from the south

Contends with thee; alas! what may he show?
What are his purple-stain'd and rosy mouth,
And browned cheeks, to thy soft feet of snow,
And timid, pleasant glow,

Giving carth-piercing flowers their primal growth,
And greenest youth?

Gay Summer conquers thee;

And yet he has no beauty such as thine;

What is his ever-streaming, fiery sea,

To the pure glory that with thee doth shine?
Thou season most divine,

What may his dull and lifeless minstrelsy
Compare with thee?

Come, sit upon the hills,

And bid the waking streams leap down their side,
And green the vales with their slight-sounding
And when the stars upon the sky shall glide, [rills;
And crescent Dian ride,

I too will breathe of thy delicious thrills,
On grassy hills.

Alas! bright Spring, not long

Shall I enjoy thy pleasant influence;

For thou shalt die the summer heat among,

Sublimed to vapour in his fire intense,

And, gone forever hence,

Exist no more: no more to earth belong,
Except in song.

So I who sing shall die:

Worn unto death, perchance, by care and sorrow;
And, fainting thus with an unconscious sigh,
Bid unto this poor body a good-morrow,

Which now sometimes I borrow,

And breathe of joyance keener and more high,

Ceasing to sigh!

LINES WRITTEN ON THE ROCKY
MOUNTAINS.

THE deep, transparent sky is full

Of many thousand glittering lightsUnnumber'd stars that calmly rule

The dark dominions of the night. The mild, bright moon has upward risen, Out of the gray and boundless plain, And all around the white snows glisten, Where frost, and ice, and silence reign,While ages roll away, and they unchanged rema

These mountains, piercing the blue sky

With their eternal cones of ice;
The torrents dashing from on high,
O'er rock and crag and precipice;
Change not, but still remain as ever,
Unwasting, deathless, and sublime,
And will remain while lightnings quiver,
Or stars the hoary summits climb,
Or rolls the thunder-chariot of eternal Time.
It is not so with all-I change,

And waste as with a living death,
Like one that hath become a strange,

Unwelcome guest, and lingereth
Among the memories of the past,

Where he is a forgotten name;
For Time hath greater power to blast
The hopes, the feelings, and the fame,
To make the passions fierce, or their first strength

to tame.

The wind comes rushing swift by me,

Pouring its coolness on my brow;
Such was I once-as proudly free,
And yet, alas! how alter'd now!
Yet, while I gaze upon yon plain,
These mountains, this eternal sky,
The scenes of boyhood come again,
And pass before the vacant eye,
Still wearing something of their ancient brilliancy.
Yet why complain?-for what is wrong,
False friends, cold-heartedness, deceit,
And life already made too long,

To one who walks with bleeding fect
Over its paths?-it will but make
Death sweeter when it comes at last--
And though the trampled heart may ache,
Its agony of pain is past,

And calmness gathers there, while life is ebbing

fast.

Perhaps, when I have pass'd away,

Like the sad echo of a dream,
There may be some one found to say

A word that might like sorrow seem.
That I would have--one sadden'd tear,
One kindly and regretting thought-
Grant me but that!-and even here,
Here, in this lone, unpeopled spot,

To breathe away this life of pain, I murmur not.

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THE paternal ancestors of Mr. BENJAMIN came to New England at an early period from Wales. His father, who was a merchant, resided many years at Demerara, in British Guiana, where he acquired a large fortune. There the subject of this notice was born in the year 1809. When he

was about three years old, in consequence of a severe illness he was brought to this country, under the care of a faithful female guardian, and here, except during a few brief periods, he has since resided. The improper medical treatment to which he had been subjected in Demerara prevented his complete restoration under the more skilful physicians of New England, and he has been lame from his childhood; but I believe his general health has been uniformly good for many

years.

While a boy he was sent to an excellent school in the rural village of Colchester, in Connecticut. At twelve he was removed to New Haven, where he resided three years in his father's family, after which he was sent to a private boarding school near Boston, in which he remained until he entered Harvard College, in 1825. He left this venerable institution before the close of his second academic year, in consequence of a protracted and painful illness, and on his recovery entered Washington College, at Hartford, then under the presidency of the Right Reverend THOMAS C. BROWNELL, now Bishop of Connecticut. He was graduated in 1829, with the highest honours of his class.

In 1830, Mr. BENJAMIN entered the Law School at Cambridge, at that time conducted by Mr. Justice STORY and Professor ASHмUN. He pursued his legal studies with much industry for a considerable period at this seminary, but finished the acquirement of his profession at New Haven, under Chief Justice DAGGETT and Professor HITCHCOCK. He was admitted to the Connecticut bar in 1833, and removing soon after to Boston, the residence of his relatives and friends, he was admitted to the courts of Massachusetts, as attorney and counsellor at law and solicitor in chancery.

His disposition to devote his time to literature prevented his entering upon the practice of his profession, and on the death of EDWIN BUCKINGHAM, one of its original editors, I believe he became connected with the "New England Magazine." In 1836 that periodical was joined to the "American Monthly Magazine," published in New York, and edited by CHARLES F. HOFFMAN, and Mr. BENJAMIN was soon after induced to go to reside permanently in that city. By unfortunate investments, and the calamities in which so many were involved in that period, he had lost most of his patrimonial property, and the remainder

of it he now invested in a publishing establishment; but the commercial distress of the time, by which many of the wealthiest houses were overthrown, prevented the realization of his expectations, and the business was abandoned. He purchased, I believe, near the close of the year 1837, the "American Monthly Magazine," and for about two years conducted it with much ability; but by giving to some of the later numbers of it a political character, its prosperity was destroyed, and he relinquished it to become associated with Mr. HORACE GREELEY in the editorship of the "New Yorker," a popular weekly periodical, devoted to literature and politics. In 1840 several weekly gazettes of unprecedented size were established in New York, and rapidly attained a great circulation. With the most prominent of these he was connected, and his writings contributed largely to its success.

In both prose and verse Mr. BENJAMIN has been a very prolific author. His rhythmical compositions would fill many volumes. They are generally short. "A Poem on the Contemplation of Nature," read before the classes of Washington College, on the day of his graduation; « Poetry, a Satire," published in 1843, and "Infatuation, a Satire," published in 1845, are the longest of his printed works. He has written several dramatic pieces, of which only fragments have been given to the public.

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There have not been many successful American satires. TRUMBULL'S "Progress of Dulness" and McFingal," are the best that had been produced at the close of the Revolution. FRENEAU, HOPKINS, DWIGHT, ALSOP, CLIFFTON, and others, attempted this kind of writing with various success, ,but none of them equalled TRUMBULL. More recently FESSENDEN, VERPLANCK, PIERPONT, HALLECK, HOLMES, WARD, OSBORN, and BENJAMIN, have essayed it. HALLECK'S "Fanny" and Epistles" are witty, spirited and playful, but local in their application. The "Vision of Rubeta" has felicitous passages, and shows that its author is a scholar, but it is cumbrous and occasionally coarse. Mr. BENJAMIN's satires are lively, pointed, and free from malignity or licentiousness.

In some of his shorter poems, Mr. BENJAMIN has shown a quick perception of the ridiculous; in others, warm affections and a meditative spirit; and in more, gayety. His poems are adorned with apposite and pretty fancies, and seem generally to be expressive of actual feelings. Some of his humourous pieces, as the sonnet entitled " Sport," which is quoted in the following pages, are happily expressed, but his style is generally more like that of an improvisator than an artist. He rarely makes use of the burnisher.

GOLD.

"Gold is, in its last analysis, the sweat of the poor and
the blood of the brave."-JOSEPH NAPOLEON.

WASTE treasure like water, ye noble and great!
Spend the wealth of the world to increase your es-
Pile up your temples of marble, and raise [tate;
Columns and domes, that the people may gaze
And wonder at beauty, so gorgeously shown
By subjects more rich than the king on his throne.
Lavish and squander--for why should ye save
"The sweat of the poor and the blood of the brave?"
Pour wine into goblets, all crusted with gems--
Wear pearls on your collars and pearls on your
Let diamonds in splendid profusion outvie [hems;
The myriad stars of a tropical sky!

Though from the night of the fathomless mine
These may be dug at your banquet to shine,
Little care ye for the chains of the slave,
"The sweat of the poor and the blood of the brave."
Behold, at your gates stand the feeble and old,
Let them burn in the sunshine and freeze in the cold;
Let them starve: though a morsel, a drop will impart
New vigour and warmth to the limb and the heart:
You taste not their anguish, you feel not their pain,

Your heads are not bare to the wind and the rain-
Must wretches like these of your charity crave

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The sweat of the poor and the blood of the brave?"

An army goes out in the morn's early light,
Ten thousand gay soldiers equipp'd for the fight;
An army comes home at the closing of day;
O, where are their banners, their goodly array?
Ye widows and orphans, bewail not so loud-
Your groans may imbitter the feast of the proud;
To win for their store, did the wild battle rave,
"The sweat of the poor and the blood of the brave."
Gold! gold! in all ages the curse of mankind,
Thy fetters are forged for the soul and the mind:
The limbs may be free as the wings of a bird,
And the mind be the slave of a look and a word.
To gain thee, men barter eternity's crown,
Yield honour, affection, and lasting renown,
And mingle like foam with life's swift-rushing wave
"The sweat of the poor and the blood of the brave."

UPON SEEING A PORTRAIT

OF A LADY, PAINTED BY GIOVANNI C. THOMPSON.

THERE is a sweetness in those upturn'd eyes,
A tearful lustre-such as fancy lends
To the Madonna-and a soft surprise,

As if they saw strange beauty in the air;
Perchance a bird, whose little pinion bends
To the same breeze that lifts that flowing hair.
And, O, that lip, and cheek, and forehead fair,
Reposing on the canvass !-that bright smile,

Casting a mellow radiance over all!
Say, didst thou strive, young artist, to beguile
The gazer of his reason, and to thrall
His every sense in meshes of delight-
When thou, unconscious,mad'st this phantom bright?

Sure nothing real lives, which thus can charm the
sight!

THE STORMY PETREL

THIS is the bird that sweeps o'er the sea-
Fearless and rapid and strong is he;
He never forsakes the billowy roar,
To dwell in calm on the tranquil shore,
Save when his mate from the tempest's shocks
Protects her young in the splinter'd rocks.

Birds of the sea, they rejoice in storms;
On the top of the wave you may see their forms
They run and dive, and they whirl and fly,
Where the glittering foam spray breaks on high;
And against the force of the strongest gale,
Like phantom ships they soar and sail.
All over the ocean, far from land,
When the storm-king rises dark and grand,
The mariner sees the petrel meet
The fathomless waves with steady feet,
And a tireless wing and a dauntless breast,
Without a home or a hope of rest.

So, mid the contest and toil of life,

My soul! when the billows of rage and strife
Are tossing high, and the heavenly blue
Is shrouded by vapours of sombre hue-
Like the petrel wheeling o'er foam and spray,
Onward and upward pursue thy way!

THE NAUTILUS.

THE Nautilus ever loves to glide
Upon the crest of the radiant tide.
When the sky is clear and the wave is bright,
Look over the sea for a lovely sight!
You may watch, and watch for many a mile,
And never see Nautilus all the while,
Till, just as your patience is nearly lost,
Lo! there is a bark in the sunlight toss'd!
"Sail ho! and whither away so fast?"
What a curious thing she has rigg'd for a mast!
"Ahoy! ahoy! don't you hear our hail ?” ̧
How the breeze is swelling her gossamer sail!
The good ship Nautilus-yes, 'tis she!
Sailing over the gold of the placid sea;
And though she will never deign reply,
I could tell her hull with the glance of an eye.
Now, I wonder where Nautilus can be bound;
Or does she always sail round and round,
With the fairy queen and her court on board,
And mariner-sprites, a glittering horde?
Does she roam and roam till the evening light!
And where does she go in the deep midnight?
So crazy a vessel could hardly sail,
Or weather the blow of "a fine, stiff gale.”

O, the selfsame hand that holds the chain
Which the ocean binds to the rocky main-
Which guards from the wreck when the tempest

raves,

And the stout ship reels on the surging waves—
Directs the course of thy little bark,
And in the light or the shadow dark,

And near the shore or far at sea,
Makes safe a billowy path for thee!

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And when the moon, of fairy stars the queen, Waves her transparent wand o'er all the scene;

I seek the vale,

And, while inhaling the moss-rose's breath,—
(Less sweet than thine, unmatch'd ELIZABETH!)
A vision, pale

As the far robes of seraphs in the night,
Rises before me with supernal light.

I seek the mount,

And there, in closest commune with the blue, Thy spiritual glances meet my view.

I seek the fount:

And thou art my EGERIA, and the glade Encircling it around is holier made.

I seek the brook:

And, in the silver shout of waters, hear
Thy merry, melting tones salute mine ear:
And, in the look

Of lilies floating from the flowery land,
See something soft and stainless as thy hand.
All things convey

A likeness of my early, only love-
All fairest things around, below, above:
The foamy spray

Over the billow, and the bedded pearls,
And the light flag the lighter breeze unfurls.
For, in the grace

As well as in the beauty of the sea,
I find a true similitude to thee;
And I can trace

Thine image in the loveliness that dwells
Mid inland forests and sequester'd dells.

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Tidings, sometimes, of him who loved thee well— More than his pen can write or tongue can tell?

Gaze not thine eyes

(0, wild and lustrous eyes, ye were my fate!) Upon the lines he fashion'd not of late, But when the skies

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