The Narratological Analysis of Lyric Poetry: Studies in English Poetry from the 16th to the 20th CenturyWalter de Gruyter, 2011-08-11 - 267 psl. This study offers a fresh approach to the theory and practice of poetry criticism from a narratological perspective. Arguing that lyric poems share basic constituents of narration with prose fiction, namely temporal sequentiality of events and verbal mediation, the authors propose the transgeneric application of narratology to the poetic genre with the aim of utilizing the sophisticated framework of narratological categories for a more precise and complex modeling of the poetic text. On this basis, the study provides a new impetus to the neglected field of poetic theory as well as to methodology. The practical value of such an approach is then demonstrated by detailed model analyses of canonical English poems from all major periods between the 16th and the 20th centuries. The comparative discussion of these analyses draws general conclusions about the specifics of narrative structures in lyric poetry in contrast to prose fiction. |
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... characters in dramatic texts , they are able to make it seem as if mediacy is replaced by the performative immediacy of speech . The result is that the voice of the speaker alone is heard as it ema- nates from experience and speech that ...
... characters ) and are also affected by focalization ( as we shall see in detail below ) . The relationship between happenings and presentation is one of mutual dependency . The text ( of a poem ) requires the presence of happenings , but ...
... character and its traits , location , and so on ) , while an incident involves something dy- namic ( e.g. a change in properties or conditions , an occurrence , an action , and so on ) . Arranged in chronological order , the set of all ...
... character in the narrated story ( i.e. on the level of the happenings ) , such as the protagonist , we are dealing with an event in the happenings . If the decisive change in attitude or behaviour involves the speaker or narrator behind ...
... character . Like the speaker , a protagonist or character can have a voice . The empirical author is considered in the analytical process only in so far as it is necessary to ensure that the frames and scripts we identify and the ...
Turinys
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Verses on the Death of Dr Swift | 57 |
Elegy Written in a Country Churchyard | 79 |
Kubla Khan | 95 |
Promises like PieCrust | 139 |
The Voice | 147 |
Portrait of a Lady | 157 |
The Second Coming | 177 |
Man and Bat | 187 |
I Remember I Remember | 201 |
Ode to Suburbia | 213 |
Fiction | 223 |
Ode on Melancholy | 111 |
The Bishop Orders His Tomb at Saint Praxeds Church | 125 |
The Results of the Analyses and Their Implications for Narratology and the Theory and Analysis of Poetry | 233 |
Kiti leidimai - Peržiūrėti viską
The Narratological Analysis of Lyric Poetry– Studies in English Poetry from ... Peter Hühn,Jens Kiefer Trumpų ištraukų rodinys - 2005 |