Puslapio vaizdai
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Prig;'

Bun replied,

'You are doubtless very big;

But all sorts of things and weather

Must be taken in together,

To make up a year

And a sphere.

And I think it no disgrace

To occupy my place.

If I'm not so large as you,
You are not so small as I,
And not half so spry.

I'll not deny you make

A very pretty squirrel track;

Talents differ; all is well and wisely put; If I cannot carry forests on my back, Neither can you crack a nut.'

1840?

1846.

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THE INFORMING SPIRIT1

I

THERE is no great and no small
To the Soul that maketh all:

And where it cometh, all things are;
And it cometh everywhere.

II

I am owner of the sphere,

Of the seven stars and the solar year,
Of Cæsar's hand, and Plato's brain,
Of Lord Christ's heart, and Shakspeare's
strain.

1841.

1 First printed, without title, as motto to the essay on History.'

HOLIDAYS

FROM fall to spring, the russet acorn, Fruit beloved of maid and boy,

Lent itself beneath the forest,

To be the children's toy.

1842.

Pluck it now! In vain,- thou canst not; Its root has pierced yon shady mound; Toy no longer- it has duties;

It is anchored in the ground.

2 First printed as motto to the essay on 'Friendship.'

Year by year the rose-lipped maiden,
Playfellow of young and old,
Was frolic sunshine, dear to all men,
More dear to one than mines of gold.

Whither went the lovely hoyden ?
Disappeared in blessed wife;
Servant to a wooden cradle,
Living in a baby's life.

Still thou playest; - short vacation
Fate grants each to stand aside;
Now must thou be man and artist,
'Tis the turning of the tide.

SAADI1

TREES in groves,

Kine in droves,

1842.

In ocean sport the scaly herds,
Wedge-like cleave the air the birds,
To northern lakes fly wind-borne ducks,
Browse the mountain sheep in flocks,
Men consort in camp and town,
But the poet dwells alone.

God, who gave to him the lyre,
Of all mortals the desire,
For all breathing men's behoof,
Straitly charged him, 'Sit aloof;'
Annexed a warning, poets say,
To the bright premium,
Ever, when twain together play,
Shall the harp be dumb.

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Though there come a million, Wise Saadi dwells alone.

Yet Saadi loved the race of men,
No churl, immured in cave or den;
In bower and hall

He wants them all,
Nor can dispense

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1 It does not appear in what year Mr. Emerson first read in translation the poems of Saadi, but although in later years he seems to have been strangely stimulated by Hafiz, whom he names the prince of Persian poets,' yet Saadi was his first love; indeed, he adopted his name, in its various modifications, for the ideal poet, and under it describes his own longings and his most intimate experiences. (E. W. EMERSON.)

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Sad-eyed Fakirs swiftly say
Endless dirges to decay,
Never in the blaze of light
Lose the shudder of midnight;
Pale at overflowing noon

Hear wolves barking at the moon;
In the bower of dalliance sweet

Hear the far Avenger's feet:

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And shake before those awful Powers,
Who in their pride forgive not ours.
Thus the sad-eyed Fakirs preach:
'Bard, when thee would Allah teach, 60
And lift thee to his holy mount,
He sends thee from his bitter fount
Wormwood, saying, "Go thy ways;
Drink not the Malaga of praise,
But do the deed thy fellows hate,
And compromise thy peaceful state;
Smite the white breasts which thee fed,
Stuff sharp thorns beneath the head
Of them thou shouldst have comforted;
For out of woe and out of crime
Draws the heart a lore sublime."'
And yet it seemeth not to me
That the high gods love tragedy;
For Saadi sat in the sun,

And thanks was his contrition;
For haircloth and for bloody whips,
Had active hands and smiling lips;
And yet his runes he rightly read,
And to his folk his message sped.
Sunshine in his heart transferred

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Lighted each transparent word,
And well could honoring Persia learn
What Saadi wished to say;
For Saadi's nightly stars did burn
Brighter than Jami's day.

Whispered the Muse in Saadi's cot:
'O gentle Saadi, listen not,
Tempted by thy praise of wit,
Or by thirst and appetite
For the talents not thine own,
To sons of contradiction.
Never, son of eastern morning,
Follow falsehood, follow scorning.
Denounce who will, who will deny,
And pile the hills to scale the sky;
Let theist, atheist, pantheist,
Define and wrangle how they list,
Fierce conserver, fierce destroyer,
But thou, joy-giver and enjoyer,
Unknowing war, unknowing crime,
Gentle Saadi, mind thy rhyme;
Heed not what the brawlers say,
Heed thou only Saadi's lay.1

90

100

110

'Let the great world bustle on
With war and trade, with camp and town;
A thousand men shall dig and eat;
At forge and furnace thousands sweat;
And thousands sail the purple sea,
And give or take the stroke of war,
Or crowd the market and bazaar;
Oft shall war end, and peace return,
And cities rise where cities burn,
Ere one man my hill shall climb,
Who can turn the golden rhyme.
Let them manage how they may,
Heed thou only Saadi's lay.
Seek the living among the dead, -
Man in man is imprisoned;
Barefooted Dervish is not poor,
If fate unlock his bosom's door,
So that what his
hath seen
His tongue can paint as bright, as keen;
And what his tender heart hath felt

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Compare the essay on Experience': 'So many things are unsettled. . . the debate goes forward. much is to say on both sides. . . Right to hold land, right of property, is disputed Dig away in your garden, and spend your earnings as a waif or a godsend, to all serene and beautiful purposes. Life itself is a bubble and a scepticism and a sleep within a sleep. Grant it, and as much more as they will, -but thou, God's darling, heed thy private dream; thou wilt not be missed in the scorning and scepticism; there are enough of them; stay thou in thy closet and toil...'

With equal fire thy heart shalt melt.
For, whom the Muses smile upon,
And touch with soft persuasion,
His words like a storm-wind can bring
Terror and beauty on their wing;
In his every syllable

Lurketh Nature veritable;

And though he speak in midnight dark,
In heaven no star, on earth no spark,-
Yet before the listener's eye
Swims the world in ecstasy,

The forest waves, the morning breaks,
The pastures sleep, ripple the lakes,
Leaves twinkle, flowers like persons be,
And life pulsates in rock or tree.
Saadi, so far thy words shall reach:
Suns rise and set in Saadi's speech!'

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140

And thus to Saadi said the Muse:
'Eat thou the bread which men refuse;
Flee from the goods which from thee flee;
Seek nothing,- Fortune seeketh thee.
Nor mount, nor dive; all good things keep
The midway of the eternal deep.
Wish not to fill the isles with eyes
To fetch the birds of paradise:
On thine orchard's edge belong
All the brags of plume and song;
Wise Ali's sunbright sayings pass
For proverbs in the market-place:
Through mountains bored by regal art,
Toil whistles as he drives his cart.
Nor scour the seas, nor sift mankind,
A poet or a friend to find:

Behold, he watches at the door!
Behold his shadow on the floor!

Open innumerable doors

150

The heaven where unveiled Allah pours 160
The flood of truth, the flood of good,
The Seraph's and the Cherub's food.
Those doors are men: the Pariah hind
Admits thee to the perfect Mind.
Seek not beyond thy cottage wall
Redeemers that can yield thee all:
While thou sittest at thy door
On the desert's yellow floor,
Listening to the gray-haired crones,
Foolish gossips, ancient drones,
Saadi, see! they rise in stature
To the height of mighty Nature,
And the secret stands revealed
Fraudulent Time in vain concealed,
That blessed gods in servile masks
Plied for thee thy household tasks.'

170

1842,

ODE TO BEAUTY

WHO gave thee, O Beauty,
The keys of this breast,
Too credulous lover
Of blest and unblest?
Say, when in lapsed ages
Thee knew I of old?
Or what was the service

For which I was sold ?
When first my eyes saw thee,
I found me thy thrall,
By magical drawings,
Sweet tyrant of all!
I drank at thy fountain
False waters of thirst;
Thou intimate stranger,
Thou latest and first!
Thy dangerous glances
Make women of men;
New-born, we are melting
Into nature again.

Lavish, lavish promiser,
Nigh persuading gods to err !
Guest of million painted forms,
Which in turn thy glory warms!
The frailest leaf, the mossy bark,
The acorn's cup, the raindrop's arc,
The swinging spider's silver line,
The ruby of the drop of wine,
The shining pebble of the pond,
Thou inscribest with a bond,
In thy momentary play,
Would bankrupt nature to repay.

Ah, what avails it

To hide or to shun

Whom the Infinite One

Hath granted his throne?

The heaven high over

Is the deep's lover;

The sun and sea,
Informed by thee,
Before me run
And draw me on,
Yet fly me still,

As Fate refuses

To me the heart Fate for me chooses. Is it that my opulent soul

ΤΟ

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Was mingled from the generous whole; Sea-valleys and the deep of skies Furnished several supplies;

And the sands whereof I'm made

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Draw me to them, self-betrayed?
I turn the proud portfolio
Which holds the grand designs
Of Salvator, of Guercino,
And Piranesi's lines.
I hear the lofty pæans
Of the masters of the shell,
Who heard the starry music
And recount the numbers well;
Olympian bards who sung
Divine Ideas below,

Which always find us young
And always keep us so.

Oft, in streets or humblest places,
I detect far-wandered graces,
Which, from Eden wide astray,
In lowly homes have lost their way.

Thee gliding through the sea of form,1
Like the lightning through the storm,
Somewhat not to be possessed,
Somewhat not to be caressed,
No feet so fleet could ever find,
No perfect form could ever bind.
Thou eternal fugitive,
Hovering over all that live,
Quick and skilful to inspire
Sweet, extravagant desire,
Starry space and lily-bell
Filling with thy roseate smell,
Wilt not give the lips to taste
Of the nectar which thou hast.

All that's good and great with thee
Works in close conspiracy;

Thou hast bribed the dark and lonely
To report thy features only,

And the cold and purple morning

Itself with thoughts of thee adorning;
The leafy dell, the city mart,
Equal trophies of thine art;
E'en the flowing azure air

Thou hast touched for my despair;
And, if I languish into dreams,
Again I meet the ardent beams.
Queen of things! I dare not die
In Being's deeps past ear and
eye;
Lest there I find the same deceiver
And be the sport of Fate forever.
Dread Power, but dear! if God thou be,
Unmake me quite, or give thyself to me!

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70

80

90

1843.

1 Compare Emerson's 'Nature: Nature is a sea of forms. What is common to them all, that perfectness and harmony, is Beauty.'

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1 This and the following poem were first used as mottoes for the essays Nature' and ' Experience.'

Emerson wrote to Carlyle, February 28, 1842: My dear friend, you should have had this letter and these messages by the last steamer; but when it sailed, my son, a perfect little boy of five years and three months, had ended his earthly life. You can never sympathize with me; you can never know how much of me such a young child can take away. A few weeks ago accounted myself a very rich man, and now the poorest of all. What would it avail to tell you anecdotes of a sweet and wonderful boy, such as we solace and

I

But over the dead he has no power, The lost, the lost, he cannot restore; And, looking over the hills, I mourn The darling who shall not return.

I see my empty house,

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I see my trees repair their boughs;
And he, the wondrous child,
Whose silver warble wild
Outvalued every pulsing sound
Within the air's cerulean round,
The hyacinthine boy, for whom
Morn well might break and April bloom,
The gracious boy, who did adorn
The world whereinto he was born,
And by his countenance repay
The favor of the loving Day,
Has disappeared from the Day's eye;
Far and wide she cannot find him;
My hopes pursue, they cannot bind him.
Returned this day, the South-wind searches,
And finds young pines and budding birches;
But finds not the budding man;

Nature, who lost, cannot remake him;
Fate let him fall, Fate can't retake him;
Nature, Fate, men, him seek in vain.

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And whither now, my truant wise and sweet,

O, whither tend thy feet?

I had the right, few days ago,

Thy steps to watch, thy place to know:
How have I forfeited the right?
Hast thou forgot me in a new delight?
I hearken for thy household cheer,
O eloquent child!

Whose voice, an equal messenger,
Conveyed thy meaning mild.
What though the pains and joys
Whereof it spoke were toys

Fitting his age and ken,

Yet fairest dames and bearded men,
Who heard the sweet request,
So gentle, wise and grave,
Bended with joy to his behest
And let the world's affairs go by,

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sadden ourselves with at home every morning and evening? From a perfect health and as happy a life and as happy influences as ever child enjoyed, he was hurried out of my arms in three short days.' (Carlyle-Emerson Correspondence, vol. i, pp. 389, 390.)

In his Journal, January 30, he wrote: This boy, in whose remembrance I have both slept and awaked so oft, decorated for me the morning star and the evening cloud, how much more all the particulars of daily economy. A boy of early wisdom, of a grave and even majestic deportment, of a perfect gentleness. . . .' See also Cabot's Life of Emerson, vol. ii, pp. 481-489.

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