Shakespeare, Italy, and IntertextualityMichele Marrapodi Manchester University Press, 2004 - 278 psl. Newly available in paperback, this collection of essays, written by distinguished international scholars, focuses on the structural influence of Italian literature, culture and society at large on Shakespeare's dramatic canon. Exploring recent methodological trends coming from Anglo-American new historicism and cultural materialism and innovative analyses of intertextuality, the volume's four thematic sections deal with 'Theory and practice', 'Culture and tradition', 'Text and ideology' and 'Stage and spectacle'.In their own views and critical perspectives, the individual chapters throw fresh light on the dramatist's pliable technique of dramatic construction and break new ground in the field of influence studies and intertextuality as a whole.A rich bibliography of secondary literature and a detailed index round off the volume. |
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49 psl.
... scene of the play . There he dramatized the contrast between the mob , which flows through the streets of Rome to grant Caesar the triumph for his victory , and the tribunes who rail at them because that triumph was undeserved or ...
... scene of the play . There he dramatized the contrast between the mob , which flows through the streets of Rome to grant Caesar the triumph for his victory , and the tribunes who rail at them because that triumph was undeserved or ...
93 psl.
... scene of Measure for Measure , it is important to demonstrate how Shakespeare's innovations reveal the rich interplay of the various foreign and native versions of the source story in his play . In this long scene Shakespeare ...
... scene of Measure for Measure , it is important to demonstrate how Shakespeare's innovations reveal the rich interplay of the various foreign and native versions of the source story in his play . In this long scene Shakespeare ...
149 psl.
... scene of Act 3 resembles nothing so much as Italian farce : Whence comes it then , that this is the top scene , the Scene that raises Othello above all other Tragedies on our Theatres ? It is purely from the Action ; from the Mops , and ...
... scene of Act 3 resembles nothing so much as Italian farce : Whence comes it then , that this is the top scene , the Scene that raises Othello above all other Tragedies on our Theatres ? It is purely from the Action ; from the Mops , and ...
Turinys
Seven types of intertextuality | 13 |
English bodies in Italian habits | 37 |
intertextuality in action | 45 |
Autorių teisės | |
Nerodoma skirsnių: 14
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
Achilles action aesthetic Alessandro Serpieri anima Antony and Cleopatra Antony's Ariosto's audience barge Bassanio behaviour bella morte body Book Brutus Cassius characters chess motif Cinthio's comedy commedia contemporary court critical cultural discourse disguised duke dramatic early modern edition Elizabethan England Epitia fencing Ficino Florence genre Giraldi Cinthio Gl'Ingannati Greene's Hamlet hand Hector honour human Iago ideological intertextual Isabella Italian Italy Jacobean Juliet Julius Caesar Latin literary London lovers Marrapodi marriage masque material Measure for Measure Merchant of Venice Michelangelo moral Mostellaria narrative nature novella Orlando Furioso Othello Oxford painting performance Plautus play's players playwright plot Plutarch political Portia quotations reference Renaissance Drama rhetorical Roman Rome Romeo ruler satire Saviolo scene sexual Shakespeare Shakespeare's play Shrew soul stage statue story tale textual theatre theatrical Thomas thou tradition tragedy translation Troilus and Cressida Twelfth Night Venetian Vincentio William Shakespeare