Shakespeare, Italy, and IntertextualityMichele Marrapodi Manchester University Press, 2004 - 278 psl. Newly available in paperback, this collection of essays, written by distinguished international scholars, focuses on the structural influence of Italian literature, culture and society at large on Shakespeare's dramatic canon. Exploring recent methodological trends coming from Anglo-American new historicism and cultural materialism and innovative analyses of intertextuality, the volume's four thematic sections deal with 'Theory and practice', 'Culture and tradition', 'Text and ideology' and 'Stage and spectacle'.In their own views and critical perspectives, the individual chapters throw fresh light on the dramatist's pliable technique of dramatic construction and break new ground in the field of influence studies and intertextuality as a whole.A rich bibliography of secondary literature and a detailed index round off the volume. |
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Rezultatai 1–3 iš 54
27 psl.
... body of England , across all of its social classes , through the promiscuous and indis- criminate mixing of alien national modes . The result is a corporeal hybridi- zation or contaminatio that fails to produce a distinctive and ...
... body of England , across all of its social classes , through the promiscuous and indis- criminate mixing of alien national modes . The result is a corporeal hybridi- zation or contaminatio that fails to produce a distinctive and ...
31 psl.
... body is the most indisputable materialization of class taste , while the exchange of uncomprehending looks between the Italian lady and the English baron perfectly exemplifies what Bourdieu characterizes as ' the dichotomy between the ...
... body is the most indisputable materialization of class taste , while the exchange of uncomprehending looks between the Italian lady and the English baron perfectly exemplifies what Bourdieu characterizes as ' the dichotomy between the ...
183 psl.
... body and transmigrates on to the body of the beloved . When the beloved is dead , when the body is no more to be loved , the soul of the lover is also dead , with nowhere to live . A very peculiar comment can be made about Portia , who ...
... body and transmigrates on to the body of the beloved . When the beloved is dead , when the body is no more to be loved , the soul of the lover is also dead , with nowhere to live . A very peculiar comment can be made about Portia , who ...
Turinys
Seven types of intertextuality | 13 |
English bodies in Italian habits | 37 |
intertextuality in action | 45 |
Autorių teisės | |
Nerodoma skirsnių: 14
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
Achilles action aesthetic Alessandro Serpieri anima Antony and Cleopatra Antony's Ariosto's audience barge Bassanio behaviour bella morte body Book Brutus Cassius characters chess motif Cinthio's comedy commedia contemporary court critical cultural discourse disguised duke dramatic early modern edition Elizabethan England Epitia fencing Ficino Florence genre Giraldi Cinthio Gl'Ingannati Greene's Hamlet hand Hector honour human Iago ideological intertextual Isabella Italian Italy Jacobean Juliet Julius Caesar Latin literary London lovers Marrapodi marriage masque material Measure for Measure Merchant of Venice Michelangelo moral Mostellaria narrative nature novella Orlando Furioso Othello Oxford painting performance Plautus play's players playwright plot Plutarch political Portia quotations reference Renaissance Drama rhetorical Roman Rome Romeo ruler satire Saviolo scene sexual Shakespeare Shakespeare's play Shrew soul stage statue story tale textual theatre theatrical Thomas thou tradition tragedy translation Troilus and Cressida Twelfth Night Venetian Vincentio William Shakespeare