Criticisms and Dramatic Essays of the English StageG. Routledge and Company, 1851 - 324 psl. |
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37 psl.
... passage , and then ask , whether the charge of sophistry and para- dox , and dangerous morality , to startle the audience , in lieu of more legitimate methods of exciting their sympathy , which he brings against the author of Bertram ...
... passage , and then ask , whether the charge of sophistry and para- dox , and dangerous morality , to startle the audience , in lieu of more legitimate methods of exciting their sympathy , which he brings against the author of Bertram ...
102 psl.
... intended , miscarried in their passage through the pit , and long before they reached the two - shilling gallery . A new pantomime , called Shakspeare versus Har- lequin , has been produced at Drury Lane Theatre . 102 MR . MATHEWS AT HOME .
... intended , miscarried in their passage through the pit , and long before they reached the two - shilling gallery . A new pantomime , called Shakspeare versus Har- lequin , has been produced at Drury Lane Theatre . 102 MR . MATHEWS AT HOME .
114 psl.
... passages of great beauty were cited in a former article on this subject ; but we might mention in addition , the fine imaginative apostrophe of Virginius to his daughter , when the story of her birth is questioned : I never saw you look ...
... passages of great beauty were cited in a former article on this subject ; but we might mention in addition , the fine imaginative apostrophe of Virginius to his daughter , when the story of her birth is questioned : I never saw you look ...
117 psl.
... passages marked with inverted commas , which are omitted in the representation . This is the case almost uniformly wherever the words " Tyranny , " or " Liberty , " occur . Is this done by authority , or is it prudence in the author ...
... passages marked with inverted commas , which are omitted in the representation . This is the case almost uniformly wherever the words " Tyranny , " or " Liberty , " occur . Is this done by authority , or is it prudence in the author ...
158 psl.
... passage was received with equal and deserved applause . We thought , in one or two instances , the pauses in the voice were too long , and too great a reliance placed on the expression of the countenance , which is a language ...
... passage was received with equal and deserved applause . We thought , in one or two instances , the pauses in the voice were too long , and too great a reliance placed on the expression of the countenance , which is a language ...
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Pagrindiniai terminai ir frazės
action actor actress admirable appearance applause audience beauty Beggar's Opera character Charles Kemble comedy comic Coriolanus Covent Garden criticism dance Desdemona dignity dramatic dress Drury Lane Drury Lane Theatre effect Elliston equal excellence expression fancy farce fault favourite feel Garrick genius give grace Hamlet heart human humour Iago imagination Ivanhoe Jack Bannister John Kemble Junius Brutus Booth Kean Kean's acting Kemble Kemble's lady laugh Lear living look Lord Macbeth Macready manager manner merit mind Miss O'Neill nature never Othello pantomime passages passion pathos perfect performance person piece play players poet racter Richard Richard II scene seemed seen sense sentiment Shakspeare shew Shylock Siddons Sir Giles Sir Giles Overreach soul speak spirit stage taste theatre thing thou thought tion tone tragedy tragic ventriloquism voice whole WILLIAM HAZLITT wish word write
Populiarios ištraukos
213 psl. - O, here Will I set up my everlasting rest And shake the yoke of inauspicious stars From this world-wearied flesh.
270 psl. - Methinks I should know you and know this man; Yet I am doubtful; for I am mainly ignorant What place this is, and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night. Do not laugh at me; For, as I am a man, I think this lady To be my child Cordelia.
270 psl. - Pray, do not mock me : I am a very foolish fond old man, Fourscore and upward, not an hour more nor less; And, to deal plainly, I fear I am not in my perfect mind. Methinks I should know you, and know this man; Yet I am doubtful: for I am mainly ignorant What place this is; and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night.
204 psl. - Look, where he comes ! Not poppy, nor mandragora, Nor all the drowsy syrups of the world, Shall ever medicine thee to that sweet sleep Which thou ow'dst yesterday.
206 psl. - I have liv'd long enough : my way of life Is fallen into the sear, the yellow leaf : And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses not loud, but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
136 psl. - Man, proud man, Drest in a little brief authority, Plays such fantastic tricks before high Heaven As make the angels weep.
204 psl. - Dangerous conceits are in their natures poisons, Which at the first are scarce found to distaste, But with a little act upon the blood, Burn like the mines of sulphur.
199 psl. - Ay, there's the point :' — as — to be bold with you — Not to affect many proposed matches Of her own clime, complexion, and degree, Whereto we see in all things nature tends, — Foh ! one may smell in such a will most rank, Foul disproportion, thoughts unnatural...
11 psl. - The web of our life is of a mingled yarn, good and ill together...
177 psl. - Come, then, the colours and the ground prepare; Dip in the rainbow, trick her off in air; Choose a firm cloud before it fall, and in it Catch, ere she change, the Cynthia of this minute.