Criticisms and Dramatic Essays of the English StageG. Routledge and Company, 1851 - 324 psl. |
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6 psl.
... living monu- ment of departed greatness ; a sombre comment on the rise and fall of kings . We look after him till he is out of sight , as we listen to a story of one of Ossian's heroes , to " a tale of other times ! " The most pleasant ...
... living monu- ment of departed greatness ; a sombre comment on the rise and fall of kings . We look after him till he is out of sight , as we listen to a story of one of Ossian's heroes , to " a tale of other times ! " The most pleasant ...
8 psl.
... living truth and nature , distort or stunt the growth of original genius . When an author dies , it is no matter , for his works remain . When a great actor dies , there is a void produced in society , a gap which requires to be filled ...
... living truth and nature , distort or stunt the growth of original genius . When an author dies , it is no matter , for his works remain . When a great actor dies , there is a void produced in society , a gap which requires to be filled ...
13 psl.
... living , with a half - witted jest . Players are only not so respectable as a profession as they might be , be- cause their profession is not respected as it ought to be . • A London engagement is generally considered by actors as the ...
... living , with a half - witted jest . Players are only not so respectable as a profession as they might be , be- cause their profession is not respected as it ought to be . • A London engagement is generally considered by actors as the ...
22 psl.
... living models within the breast , from feeling or from observation ; and the materials of Tragedy cannot be found among a people , who are the habitual spectators of Tragedy , whose interests and passions are not their own , but ideal ...
... living models within the breast , from feeling or from observation ; and the materials of Tragedy cannot be found among a people , who are the habitual spectators of Tragedy , whose interests and passions are not their own , but ideal ...
42 psl.
... the pleasures of memory , not with those of hope . While we can do this , life is worth living for : when we can do it no longer , its spring will soon go down , and we had better not be ! Who shall give us Mrs. Siddons 42 ON PLAY - GOING.
... the pleasures of memory , not with those of hope . While we can do this , life is worth living for : when we can do it no longer , its spring will soon go down , and we had better not be ! Who shall give us Mrs. Siddons 42 ON PLAY - GOING.
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Pagrindiniai terminai ir frazės
action actor actress admirable appearance applause audience beauty Beggar's Opera character Charles Kemble comedy comic Coriolanus Covent Garden criticism dance Desdemona dignity dramatic dress Drury Lane Drury Lane Theatre effect Elliston equal excellence expression fancy farce fault favourite feel Garrick genius give grace Hamlet heart human humour Iago imagination Ivanhoe Jack Bannister John Kemble Junius Brutus Booth Kean Kean's acting Kemble Kemble's lady laugh Lear living look Lord Macbeth Macready manager manner merit mind Miss O'Neill nature never Othello pantomime passages passion pathos perfect performance person piece play players poet racter Richard Richard II scene seemed seen sense sentiment Shakspeare shew Shylock Siddons Sir Giles Sir Giles Overreach soul speak spirit stage taste theatre thing thou thought tion tone tragedy tragic ventriloquism voice whole WILLIAM HAZLITT wish word write
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213 psl. - O, here Will I set up my everlasting rest And shake the yoke of inauspicious stars From this world-wearied flesh.
270 psl. - Methinks I should know you and know this man; Yet I am doubtful; for I am mainly ignorant What place this is, and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night. Do not laugh at me; For, as I am a man, I think this lady To be my child Cordelia.
270 psl. - Pray, do not mock me : I am a very foolish fond old man, Fourscore and upward, not an hour more nor less; And, to deal plainly, I fear I am not in my perfect mind. Methinks I should know you, and know this man; Yet I am doubtful: for I am mainly ignorant What place this is; and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night.
204 psl. - Look, where he comes ! Not poppy, nor mandragora, Nor all the drowsy syrups of the world, Shall ever medicine thee to that sweet sleep Which thou ow'dst yesterday.
206 psl. - I have liv'd long enough : my way of life Is fallen into the sear, the yellow leaf : And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses not loud, but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
136 psl. - Man, proud man, Drest in a little brief authority, Plays such fantastic tricks before high Heaven As make the angels weep.
204 psl. - Dangerous conceits are in their natures poisons, Which at the first are scarce found to distaste, But with a little act upon the blood, Burn like the mines of sulphur.
199 psl. - Ay, there's the point :' — as — to be bold with you — Not to affect many proposed matches Of her own clime, complexion, and degree, Whereto we see in all things nature tends, — Foh ! one may smell in such a will most rank, Foul disproportion, thoughts unnatural...
11 psl. - The web of our life is of a mingled yarn, good and ill together...
177 psl. - Come, then, the colours and the ground prepare; Dip in the rainbow, trick her off in air; Choose a firm cloud before it fall, and in it Catch, ere she change, the Cynthia of this minute.