Criticisms and Dramatic Essays of the English StageG. Routledge and Company, 1851 - 324 psl. |
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29 psl.
... or for the whole . Each character , on the contrary , must be a kind of centre of repulsion to the rest ; and it is their hostile interests , brought into col- lision , that must tug at their heart - strings ON DRAMATIC POETRY . 29.
... or for the whole . Each character , on the contrary , must be a kind of centre of repulsion to the rest ; and it is their hostile interests , brought into col- lision , that must tug at their heart - strings ON DRAMATIC POETRY . 29.
33 psl.
... kind of gloomy grandeur . His characters stand alone , self - created , and self - supported , without communica- tion with , or reaction upon , any other ( except in the single instance of Caleb Williams himself ) : -the passions are ...
... kind of gloomy grandeur . His characters stand alone , self - created , and self - supported , without communica- tion with , or reaction upon , any other ( except in the single instance of Caleb Williams himself ) : -the passions are ...
48 psl.
... kind heart , and his honest face and no one else could do them so well , because no one else could play Jack Bannister . He was , some time since , seen casting a wistful eye at Drury - lane theatre , and no doubt thinking of past times ...
... kind heart , and his honest face and no one else could do them so well , because no one else could play Jack Bannister . He was , some time since , seen casting a wistful eye at Drury - lane theatre , and no doubt thinking of past times ...
84 psl.
... kind , and a weakness and languor in the gene- ral progress of the story , there are individual touches of nature and passion , which we can account for in no other way so satisfactorily as by imagining the author to be a man of genius ...
... kind , and a weakness and languor in the gene- ral progress of the story , there are individual touches of nature and passion , which we can account for in no other way so satisfactorily as by imagining the author to be a man of genius ...
97 psl.
... kind of critical handling undergo the operation with so little patience as they do . They particularly hate those writers who pretend to patronize them , for this takes away even the privilege of resentment . An actor , again , is ...
... kind of critical handling undergo the operation with so little patience as they do . They particularly hate those writers who pretend to patronize them , for this takes away even the privilege of resentment . An actor , again , is ...
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action actor actress admirable appearance applause audience beauty Beggar's Opera character Charles Kemble comedy comic Coriolanus Covent Garden criticism dance Desdemona dignity dramatic dress Drury Lane Drury Lane Theatre effect Elliston equal excellence expression fancy farce fault favourite feel Garrick genius give grace Hamlet heart human humour Iago imagination Ivanhoe Jack Bannister John Kemble Junius Brutus Booth Kean Kean's acting Kemble Kemble's lady laugh Lear living look Lord Macbeth Macready manager manner merit mind Miss O'Neill nature never Othello pantomime passages passion pathos perfect performance person piece play players poet racter Richard Richard II scene seemed seen sense sentiment Shakspeare shew Shylock Siddons Sir Giles Sir Giles Overreach soul speak spirit stage taste theatre thing thou thought tion tone tragedy tragic ventriloquism voice whole WILLIAM HAZLITT wish word write
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