Criticisms and Dramatic Essays of the English StageG. Routledge and Company, 1851 - 324 psl. |
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53 psl.
... expression of mental agony and distress to a degree of physical horror that is painful to behold , and which is particularly repulsive in a person of her delicacy of frame and truly feminine appearance . - Mrs . Bunn is a beautiful and ...
... expression of mental agony and distress to a degree of physical horror that is painful to behold , and which is particularly repulsive in a person of her delicacy of frame and truly feminine appearance . - Mrs . Bunn is a beautiful and ...
69 psl.
... expression of curiosity and wonder , of overflowing vanity and unbridled egotism , there was nothing but an exhibition of the most petulant cockneyism and vulgar slang . All our former notions and theories were turned topsy- turvy . The ...
... expression of curiosity and wonder , of overflowing vanity and unbridled egotism , there was nothing but an exhibition of the most petulant cockneyism and vulgar slang . All our former notions and theories were turned topsy- turvy . The ...
71 psl.
... expression ( in which there is only one form of bent brows , and close pent - up mouth for all occasions ) , the parsimony of his figure is ex- posed , and the refuse tones of his voice fall with un- diminished vulgarity on the pained ...
... expression ( in which there is only one form of bent brows , and close pent - up mouth for all occasions ) , the parsimony of his figure is ex- posed , and the refuse tones of his voice fall with un- diminished vulgarity on the pained ...
75 psl.
... expression . The little odd ways and antiquarian whims and crotchets of Mr. Oldbuck , even were they as well managed in the drama as they are exquisitely hit off in the novel , would hardly tell in Liston's hands . Emery made an ...
... expression . The little odd ways and antiquarian whims and crotchets of Mr. Oldbuck , even were they as well managed in the drama as they are exquisitely hit off in the novel , would hardly tell in Liston's hands . Emery made an ...
99 psl.
... expression of countenance at the persecution of which the hen - pecked husband is the victim , and by the huge , unwieldy helplessness of his person , unable to escape from it and from the rabble of boys at his heels , he excites shouts ...
... expression of countenance at the persecution of which the hen - pecked husband is the victim , and by the huge , unwieldy helplessness of his person , unable to escape from it and from the rabble of boys at his heels , he excites shouts ...
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Pagrindiniai terminai ir frazės
action actor actress admirable appearance applause audience beauty Beggar's Opera character Charles Kemble comedy comic Coriolanus Covent Garden criticism dance Desdemona dignity dramatic dress Drury Lane Drury Lane Theatre effect Elliston equal excellence expression fancy farce fault favourite feel Garrick genius give grace Hamlet heart human humour Iago imagination Ivanhoe Jack Bannister John Kemble Junius Brutus Booth Kean Kean's acting Kemble Kemble's lady laugh Lear living look Lord Macbeth Macready manager manner merit mind Miss O'Neill nature never Othello pantomime passages passion pathos perfect performance person piece play players poet racter Richard Richard II scene seemed seen sense sentiment Shakspeare shew Shylock Siddons Sir Giles Sir Giles Overreach soul speak spirit stage taste theatre thing thou thought tion tone tragedy tragic ventriloquism voice whole WILLIAM HAZLITT wish word write
Populiarios ištraukos
213 psl. - O, here Will I set up my everlasting rest And shake the yoke of inauspicious stars From this world-wearied flesh.
270 psl. - Methinks I should know you and know this man; Yet I am doubtful; for I am mainly ignorant What place this is, and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night. Do not laugh at me; For, as I am a man, I think this lady To be my child Cordelia.
270 psl. - Pray, do not mock me : I am a very foolish fond old man, Fourscore and upward, not an hour more nor less; And, to deal plainly, I fear I am not in my perfect mind. Methinks I should know you, and know this man; Yet I am doubtful: for I am mainly ignorant What place this is; and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night.
204 psl. - Look, where he comes ! Not poppy, nor mandragora, Nor all the drowsy syrups of the world, Shall ever medicine thee to that sweet sleep Which thou ow'dst yesterday.
206 psl. - I have liv'd long enough : my way of life Is fallen into the sear, the yellow leaf : And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses not loud, but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
136 psl. - Man, proud man, Drest in a little brief authority, Plays such fantastic tricks before high Heaven As make the angels weep.
204 psl. - Dangerous conceits are in their natures poisons, Which at the first are scarce found to distaste, But with a little act upon the blood, Burn like the mines of sulphur.
199 psl. - Ay, there's the point :' — as — to be bold with you — Not to affect many proposed matches Of her own clime, complexion, and degree, Whereto we see in all things nature tends, — Foh ! one may smell in such a will most rank, Foul disproportion, thoughts unnatural...
11 psl. - The web of our life is of a mingled yarn, good and ill together...
177 psl. - Come, then, the colours and the ground prepare; Dip in the rainbow, trick her off in air; Choose a firm cloud before it fall, and in it Catch, ere she change, the Cynthia of this minute.