Criticisms and Dramatic Essays of the English StageG. Routledge and Company, 1851 - 324 psl. |
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... character fell off , or was dis- composed , which would have produced a burst of laughter at any common actor to whom such an accident had happened ; but such was the deep interest in the character , and such the power of rivetting the ...
... character fell off , or was dis- composed , which would have produced a burst of laughter at any common actor to whom such an accident had happened ; but such was the deep interest in the character , and such the power of rivetting the ...
11 psl.
... character , it is not to be wondered at . They live from hand to mouth : they plunge from want into luxury ; they have no means of making money breed , and all professions that do not live by turning money into money , or have not a ...
... character , it is not to be wondered at . They live from hand to mouth : they plunge from want into luxury ; they have no means of making money breed , and all professions that do not live by turning money into money , or have not a ...
28 psl.
... character in the Tatler : but we are become a nation of upholsterers . We participate in the general progress of intellect , and the large vicissi- tudes of human affairs ; but the hugest private sor- row looks dwarfish and puerile . In ...
... character in the Tatler : but we are become a nation of upholsterers . We participate in the general progress of intellect , and the large vicissi- tudes of human affairs ; but the hugest private sor- row looks dwarfish and puerile . In ...
29 psl.
... characters might do as well , in any other circumstances ; nor is it sufficient for the poet to furnish the colours ... character , on the contrary , must be a kind of centre of repulsion to the rest ; and it is their hostile interests ...
... characters might do as well , in any other circumstances ; nor is it sufficient for the poet to furnish the colours ... character , on the contrary , must be a kind of centre of repulsion to the rest ; and it is their hostile interests ...
47 psl.
... characters , and lighted them up like a transparency . Bannister did not go out of himself to take possession of his part , but put it on over his ordinary dress , like a surtout , snug , warm , and comfortable . He let his personal ...
... characters , and lighted them up like a transparency . Bannister did not go out of himself to take possession of his part , but put it on over his ordinary dress , like a surtout , snug , warm , and comfortable . He let his personal ...
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action actor actress admirable appearance applause audience beauty Beggar's Opera character Charles Kemble comedy comic Coriolanus Covent Garden criticism dance Desdemona dignity dramatic dress Drury Lane Drury Lane Theatre effect Elliston equal excellence expression fancy farce fault favourite feel Garrick genius give grace Hamlet heart human humour Iago imagination Ivanhoe Jack Bannister John Kemble Junius Brutus Booth Kean Kean's acting Kemble Kemble's lady laugh Lear living look Lord Macbeth Macready manager manner merit mind Miss O'Neill nature never Othello pantomime passages passion pathos perfect performance person piece play players poet racter Richard Richard II scene seemed seen sense sentiment Shakspeare shew Shylock Siddons Sir Giles Sir Giles Overreach soul speak spirit stage taste theatre thing thou thought tion tone tragedy tragic ventriloquism voice whole WILLIAM HAZLITT wish word write
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213 psl. - O, here Will I set up my everlasting rest And shake the yoke of inauspicious stars From this world-wearied flesh.
270 psl. - Methinks I should know you and know this man; Yet I am doubtful; for I am mainly ignorant What place this is, and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night. Do not laugh at me; For, as I am a man, I think this lady To be my child Cordelia.
270 psl. - Pray, do not mock me : I am a very foolish fond old man, Fourscore and upward, not an hour more nor less; And, to deal plainly, I fear I am not in my perfect mind. Methinks I should know you, and know this man; Yet I am doubtful: for I am mainly ignorant What place this is; and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night.
204 psl. - Look, where he comes ! Not poppy, nor mandragora, Nor all the drowsy syrups of the world, Shall ever medicine thee to that sweet sleep Which thou ow'dst yesterday.
206 psl. - I have liv'd long enough : my way of life Is fallen into the sear, the yellow leaf : And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses not loud, but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
136 psl. - Man, proud man, Drest in a little brief authority, Plays such fantastic tricks before high Heaven As make the angels weep.
204 psl. - Dangerous conceits are in their natures poisons, Which at the first are scarce found to distaste, But with a little act upon the blood, Burn like the mines of sulphur.
199 psl. - Ay, there's the point :' — as — to be bold with you — Not to affect many proposed matches Of her own clime, complexion, and degree, Whereto we see in all things nature tends, — Foh ! one may smell in such a will most rank, Foul disproportion, thoughts unnatural...
11 psl. - The web of our life is of a mingled yarn, good and ill together...
177 psl. - Come, then, the colours and the ground prepare; Dip in the rainbow, trick her off in air; Choose a firm cloud before it fall, and in it Catch, ere she change, the Cynthia of this minute.