Chromatography, Or, A Treatise on Colours and Pigments, and of Their Powers in Painting, &cCharles Tilt, 1835 - 276 psl. |
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iii psl.
... , by engrafting a refined taste on the prescripts of nature and science , you will consummate a school of colouring which is already celebrated and followed throughout Europe ; and as the Greeks of old gave to succeeding ages models.
... , by engrafting a refined taste on the prescripts of nature and science , you will consummate a school of colouring which is already celebrated and followed throughout Europe ; and as the Greeks of old gave to succeeding ages models.
x psl.
... earlier pain- * Which will complete his original intention , expressed in his " Chromatics , " of treating on the relations , the nature , and the preparation of colours , & c . ters , there is no want in the present day X PREFACE .
... earlier pain- * Which will complete his original intention , expressed in his " Chromatics , " of treating on the relations , the nature , and the preparation of colours , & c . ters , there is no want in the present day X PREFACE .
xii psl.
... nature , refers to a whole , and cannot be rightly comprehended , nor perfectly practised , without some attention to all its parts ; -hence also the physical causes , relations , and expression of colours have been briefly investigated ...
... nature , refers to a whole , and cannot be rightly comprehended , nor perfectly practised , without some attention to all its parts ; -hence also the physical causes , relations , and expression of colours have been briefly investigated ...
xiv psl.
... nature . But though the records of literature and science cannot alone produce a colourist , nor form the practical ... natural analogies and poetical instances . To his Subscribers the author's acknowledgements are due , and his ...
... nature . But though the records of literature and science cannot alone produce a colourist , nor form the practical ... natural analogies and poetical instances . To his Subscribers the author's acknowledgements are due , and his ...
4 psl.
... nature , to which belong the Dutch and Flemish schools ; the sensible , which aims at refined and select nature , which accords with the Venetian school ; and the intellectual , which corresponds with the Greek , Roman , and Florentine ...
... nature , to which belong the Dutch and Flemish schools ; the sensible , which aims at refined and select nature , which accords with the Venetian school ; and the intellectual , which corresponds with the Greek , Roman , and Florentine ...
Kiti leidimai - Peržiūrėti viską
Chromatography, Or, A Treatise on Colours and Pigments, and of Their Powers ... George Field Visos knygos peržiūra - 1835 |
Chromatography, Or, A Treatise on Colours and Pigments, and of Their Powers ... George Field Visos knygos peržiūra - 1835 |
Chromatography, Or, A Treatise on Colours and Pigments, and of Their Powers ... George Field Visos knygos peržiūra - 1835 |
Pagrindiniai terminai ir frazės
according afford antient appear artist beautiful bright brown carmine CHAP chemical chromascope chromatic citrine cochineal colourist compound contrast copal copper greens dark denomination dries drying drying oil durable effect eligible pigment employed equal EXPERIMENT expression fresco gamboge glass glazing gray green ground harmony hence IDEM impure air KNIGHT'S TALE lakes latter lensic prism less light and shade linseed oil liquid litharge madder madder lakes mastic metrochrome MILTON mixture mode Naples yellow nature neutral ochre olive opaque orange Orpiment oxide oxygen painter painting palette perfect permanent picture pigments poet powers of colours practice prepared primary colours principles of light produced properties proportions Prussian blue pure purple refraction remarkable rendered resins respect russet scale scarlet semi-neutral shadows SHAKSPEARE spectrum Street substances tertiary colours texture tints Titian transparent ultramarine various varnish vehicle vermilion warm water and oil water-colour white lead yellow
Populiarios ištraukos
7 psl. - Yet nature is made better by no mean, But nature makes that mean : so, o'er that art Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race : this is an art ~\\ hich does mend nature, — change it rather ; but The art itself is nature.
175 psl. - Hence loathed Melancholy Of Cerberus and blackest midnight born, In Stygian Cave forlorn 'Mongst horrid shapes, and shrieks, and sights unholy, Find out some uncouth cell, Where brooding darkness spreads his jealous wings...
92 psl. - Over hill, over dale, Thorough bush, thorough brier, Over park, over pale, Thorough flood, thorough fire, I do wander every where, Swifter than the moon's sphere; And I serve the fairy queen, To dew her orbs upon the green. The cowslips tall her pensioners be: In their gold coats spots you see; Those be rubies, fairy favours, In those freckles live their savours: I must go seek some dewdrops here, And hang a pearl in every cowslip's ear.
140 psl. - Awake : The morning shines, and the fresh field Calls us ; we lose the prime, to mark how spring Our tender plants, how blows the citron grove, What drops the myrrh, and what the balmy reed, How nature paints her colours, how the bee Sits on the bloom extracting liquid sweet.
156 psl. - YET once more, O ye laurels, and once more, Ye myrtles brown, with ivy never sere, I come to pluck your berries harsh and crude, And with forced fingers rude Shatter your leaves before the mellowing year. Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer.
6 psl. - tis the mind that makes the body rich ; And as the sun breaks through the darkest clouds, So honour peereth in the meanest habit. What, is the jay more precious than the lark, Because his feathers are more beautiful ? Or is the adder better than the eel, Because his painted skin contents the eye ? O, no, good Kate ; neither art thou the worse For this poor furniture, and mean array.
90 psl. - Boy, let yon liquid ruby flow, And bid thy pensive heart be glad, Whate'er the frowning zealots say : Tell them, their Eden cannot show A stream so clear as Rocnabad, A bower so sweet as Mosellay.
127 psl. - Fair laughs the morn, and soft the zephyr blows While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
150 psl. - Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
157 psl. - midst its dreary dells, Whose walls more awful nod By thy religious gleams. Or if chill blustering winds, or driving rain, Prevent my willing feet, be mine the hut, That from the mountain's side Views wilds and swelling floods, And hamlets brown, and dim-discover'd spires, And hears their simple bell, and marks o'er all Thy dewy fingers draw The gradual dusky veil.