Chromatography, Or, A Treatise on Colours and Pigments, and of Their Powers in Painting, &cCharles Tilt, 1835 - 276 psl. |
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Rezultatai 1–5 iš 50
2 psl.
... manner of painting is so totally different from any thing in practice at this time , as to make it necessary for me to give you some slight idea of it . A painting eighty feet high , and proportionably broad , is divided into two ranges ...
... manner of painting is so totally different from any thing in practice at this time , as to make it necessary for me to give you some slight idea of it . A painting eighty feet high , and proportionably broad , is divided into two ranges ...
8 psl.
... manner by quitting the charms of nature for those of artifice and false refinement , nor even abstract herself in those sublimities or excellences exclusively , which the artist alone can appreciate . Considering that the evidence of ...
... manner by quitting the charms of nature for those of artifice and false refinement , nor even abstract herself in those sublimities or excellences exclusively , which the artist alone can appreciate . Considering that the evidence of ...
14 psl.
... manner of the musician ; and that , although he should copy nature in his colouring , he will not do so servilely , but with taste , discrimination , and reference to these ends . There is the ideal in colouring , as well as in forms ...
... manner of the musician ; and that , although he should copy nature in his colouring , he will not do so servilely , but with taste , discrimination , and reference to these ends . There is the ideal in colouring , as well as in forms ...
21 psl.
... manner discriminated from white to black . It is to be noted , however , that the above denominations of colours do not merely express the individual hues or tints by which they are exemplified in this diagram , but denote classes or ...
... manner discriminated from white to black . It is to be noted , however , that the above denominations of colours do not merely express the individual hues or tints by which they are exemplified in this diagram , but denote classes or ...
23 psl.
... manner with neutralizing and sub- dued effect , and in the last with heightened effect and brilliancy , —in the one case by overpowering the colour , in the other by overpowering the organ ; while in each the equilibrium or due ...
... manner with neutralizing and sub- dued effect , and in the last with heightened effect and brilliancy , —in the one case by overpowering the colour , in the other by overpowering the organ ; while in each the equilibrium or due ...
Kiti leidimai - Peržiūrėti viską
Chromatography, Or, A Treatise on Colours and Pigments, and of Their Powers ... George Field Visos knygos peržiūra - 1835 |
Chromatography, Or, A Treatise on Colours and Pigments, and of Their Powers ... George Field Visos knygos peržiūra - 1835 |
Chromatography, Or, A Treatise on Colours and Pigments, and of Their Powers ... George Field Visos knygos peržiūra - 1835 |
Pagrindiniai terminai ir frazės
according afford antient appear artist beautiful bright brown carmine CHAP chemical chromascope chromatic citrine cochineal colourist compound contrast copal copper greens dark denomination dries drying drying oil durable effect eligible pigment employed equal EXPERIMENT expression fresco gamboge glass glazing gray green ground harmony hence IDEM impure air KNIGHT'S TALE lakes latter lensic prism less light and shade linseed oil liquid litharge madder madder lakes mastic metrochrome MILTON mixture mode Naples yellow nature neutral ochre olive opaque orange Orpiment oxide oxygen painter painting palette perfect permanent picture pigments poet powers of colours practice prepared primary colours principles of light produced properties proportions Prussian blue pure purple refraction remarkable rendered resins respect russet scale scarlet semi-neutral shadows SHAKSPEARE spectrum Street substances tertiary colours texture tints Titian transparent ultramarine various varnish vehicle vermilion warm water and oil water-colour white lead yellow
Populiarios ištraukos
7 psl. - Yet nature is made better by no mean, But nature makes that mean : so, o'er that art Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race : this is an art ~\\ hich does mend nature, — change it rather ; but The art itself is nature.
175 psl. - Hence loathed Melancholy Of Cerberus and blackest midnight born, In Stygian Cave forlorn 'Mongst horrid shapes, and shrieks, and sights unholy, Find out some uncouth cell, Where brooding darkness spreads his jealous wings...
92 psl. - Over hill, over dale, Thorough bush, thorough brier, Over park, over pale, Thorough flood, thorough fire, I do wander every where, Swifter than the moon's sphere; And I serve the fairy queen, To dew her orbs upon the green. The cowslips tall her pensioners be: In their gold coats spots you see; Those be rubies, fairy favours, In those freckles live their savours: I must go seek some dewdrops here, And hang a pearl in every cowslip's ear.
140 psl. - Awake : The morning shines, and the fresh field Calls us ; we lose the prime, to mark how spring Our tender plants, how blows the citron grove, What drops the myrrh, and what the balmy reed, How nature paints her colours, how the bee Sits on the bloom extracting liquid sweet.
156 psl. - YET once more, O ye laurels, and once more, Ye myrtles brown, with ivy never sere, I come to pluck your berries harsh and crude, And with forced fingers rude Shatter your leaves before the mellowing year. Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer.
6 psl. - tis the mind that makes the body rich ; And as the sun breaks through the darkest clouds, So honour peereth in the meanest habit. What, is the jay more precious than the lark, Because his feathers are more beautiful ? Or is the adder better than the eel, Because his painted skin contents the eye ? O, no, good Kate ; neither art thou the worse For this poor furniture, and mean array.
90 psl. - Boy, let yon liquid ruby flow, And bid thy pensive heart be glad, Whate'er the frowning zealots say : Tell them, their Eden cannot show A stream so clear as Rocnabad, A bower so sweet as Mosellay.
127 psl. - Fair laughs the morn, and soft the zephyr blows While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
150 psl. - Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
157 psl. - midst its dreary dells, Whose walls more awful nod By thy religious gleams. Or if chill blustering winds, or driving rain, Prevent my willing feet, be mine the hut, That from the mountain's side Views wilds and swelling floods, And hamlets brown, and dim-discover'd spires, And hears their simple bell, and marks o'er all Thy dewy fingers draw The gradual dusky veil.