The Loves of Shakespeare's WomenNick Hern Books, 2001 - 112 psl. Here are the famous speeches from Juliet--"Come, night! Come, Romeo!"--and from Portia--"The quality of mercy..."--but also less familiar ones from Viola, Hermia, Isabella and Cressida. These younger characters make up the first half of the book, while the second half is devoted to maturer women like Lady Macbeth--"How tender 'tis to love the babe that milks me"--Gertrude, Mistress Quickly, Cleopatra and Queen Katherine. |
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psl.
... woman show which she devised for herself from this same collection of speeches . An extensive appendix of ' possibles and possibilities ' offers thirteen alternative speeches - complete with commentary - which shed further light on the ...
... woman show which she devised for herself from this same collection of speeches . An extensive appendix of ' possibles and possibilities ' offers thirteen alternative speeches - complete with commentary - which shed further light on the ...
11 psl.
... woman on her last desperate call to the lover who has dumped her , but it's inherent , that loneliness of a one - person show . All the same , I tried it again in Mark Davies Markham's funny / sad Independent State , tale of a would ...
... woman on her last desperate call to the lover who has dumped her , but it's inherent , that loneliness of a one - person show . All the same , I tried it again in Mark Davies Markham's funny / sad Independent State , tale of a would ...
12 psl.
... Woman , I thought , and had a coat - hanger . And as I assembled and chose my women , I discovered my theme . Touring in a play can create the perfect conditions for writing . A kind of limbo exists , time off , time to be yourself ...
... Woman , I thought , and had a coat - hanger . And as I assembled and chose my women , I discovered my theme . Touring in a play can create the perfect conditions for writing . A kind of limbo exists , time off , time to be yourself ...
14 psl.
... woman show . ' Budapest ' , she cried , ' in October ? ' Why not hop on eastwards to play the Festival in Tbilisi ? ( All Georgians know Shakespeare , our Ouiliam . . . ' ) . I had no director , no music , no lights , and a scarily ...
... woman show . ' Budapest ' , she cried , ' in October ? ' Why not hop on eastwards to play the Festival in Tbilisi ? ( All Georgians know Shakespeare , our Ouiliam . . . ' ) . I had no director , no music , no lights , and a scarily ...
31 psl.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Turinys
II | 29 |
V | 33 |
VI | 35 |
VIII | 38 |
X | 40 |
XII | 48 |
XIII | 51 |
XV | 52 |
XXI | 61 |
XXII | 65 |
XXIII | 66 |
XXIV | 68 |
XXV | 70 |
XXVI | 72 |
XXVIII | 75 |
XXX | 78 |
Pagrindiniai terminai ir frazės
actor Antony Beatrice beauty betray blood Boney Budapest Celia child Cleopatra Constance Coriolanus Countess of Roussillon Cressida cross-dressing crown daughter death doth Emilia epilogue false Falstaff favour Feri Festival Ford Georgian Gertrude give grief Hamlet hand hate hath heart heaven Helena Henry Hermia honour Hungarian husband Iago Imogen Isabella Juliet Katalin Katharine Keti Dolidze King La Voix Humaine Lady Macbeth Laszlo lord lover Loves of Shakespeare's Measure for Measure mercy Merry Wives Midsummer Night's Dream Mistress Quickly mother murder never night one-woman show Orlando passionate Peter O'Toole PHEBE Picasso's Women play Portia Puck rehearse Romantic love Romeo Rosalind Royal Shakespeare Company Scene Shakespeare Shakespeare's Women SONNET soul speak stage Susannah York sweet Tbilisi theatre thee thine thou art thou shalt Troilus Troilus and Cressida Viola Volumnia wanted who'd wife woman wooed work-in-progress wouldst young youth