The Loves of Shakespeare's WomenNick Hern Books, 2001 - 112 psl. Here are the famous speeches from Juliet--"Come, night! Come, Romeo!"--and from Portia--"The quality of mercy..."--but also less familiar ones from Viola, Hermia, Isabella and Cressida. These younger characters make up the first half of the book, while the second half is devoted to maturer women like Lady Macbeth--"How tender 'tis to love the babe that milks me"--Gertrude, Mistress Quickly, Cleopatra and Queen Katherine. |
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Rezultatai 15 iš 7
15 psl.
... head . ' All right , you do it ! ' I'd say from my up - three - steps where I'd been perorating . And he would , brilliantly . When the sun was out , we'd rehearse in the garden to the neighbours ' amazement - or amusement perhaps ...
... head . ' All right , you do it ! ' I'd say from my up - three - steps where I'd been perorating . And he would , brilliantly . When the sun was out , we'd rehearse in the garden to the neighbours ' amazement - or amusement perhaps ...
17 psl.
... and urging the older ones on . Next day , Ninon , one of the audience and a recent friend , telephoned from the King's Head , one of London's earliest fringe theatres . I'd worked there twice , and that week , she said , the 17.
... and urging the older ones on . Next day , Ninon , one of the audience and a recent friend , telephoned from the King's Head , one of London's earliest fringe theatres . I'd worked there twice , and that week , she said , the 17.
18 psl.
... Head . Changes to the show would include some ' re - blocking ' and Laszlo would create a real lighting plot , but the biggest innovation was to be a grand piano onstage , upon which Ferenc Darvas - ' Feri ' - would improvise at certain ...
... Head . Changes to the show would include some ' re - blocking ' and Laszlo would create a real lighting plot , but the biggest innovation was to be a grand piano onstage , upon which Ferenc Darvas - ' Feri ' - would improvise at certain ...
39 psl.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
53 psl.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Turinys
II | 29 |
V | 33 |
VI | 35 |
VIII | 38 |
X | 40 |
XII | 48 |
XIII | 51 |
XV | 52 |
XXI | 61 |
XXII | 65 |
XXIII | 66 |
XXIV | 68 |
XXV | 70 |
XXVI | 72 |
XXVIII | 75 |
XXX | 78 |
Pagrindiniai terminai ir frazės
actor Antony Beatrice beauty betray blood Boney Budapest Celia child Cleopatra Constance Coriolanus Countess of Roussillon Cressida cross-dressing crown daughter death doth Emilia epilogue false Falstaff favour Feri Festival Ford Georgian Gertrude give grief Hamlet hand hate hath heart heaven Helena Henry Hermia honour Hungarian husband Iago Imogen Isabella Juliet Katalin Katharine Keti Dolidze King La Voix Humaine Lady Macbeth Laszlo lord lover Loves of Shakespeare's Measure for Measure mercy Merry Wives Midsummer Night's Dream Mistress Quickly mother murder never night one-woman show Orlando passionate Peter O'Toole PHEBE Picasso's Women play Portia Puck rehearse Romantic love Romeo Rosalind Royal Shakespeare Company Scene Shakespeare Shakespeare's Women SONNET soul speak stage Susannah York sweet Tbilisi theatre thee thine thou art thou shalt Troilus Troilus and Cressida Viola Volumnia wanted who'd wife woman wooed work-in-progress wouldst young youth