Giotto. - London, Sampson Low, Marsson, Searle and Rivington 1880Sampson Low, Marston, Searle & Rivington, 1880 - 146 psl. |
Kiti leidimai - Peržiūrėti viską
Giotto. - London, Sampson Low, Marsson, Searle and Rivington 1880 Harry Quilter Visos knygos peržiūra - 1880 |
Pagrindiniai terminai ir frazės
action altar Andrea Pisano angels arches architecture Arena Chapel arms arrangement artist attributed to Giotto authorship background Bargello beauty beneath Benedict XI building Byzantine Byzantine art Campanile ceiling centre century CHAPTER choir Christ Church at Assisi Cimabue colour comparatively composition Corso Donati Crowe and Cavalcaselle damp Dante decoration drapery early Enrico Scrovegni executed by Giotto expression face feeling figures Florence Francis Giottesque Giotto Giunta Pisano gradation ground hand imitation Italian Italy later less look Lord Lindsay Lower Church Madonna manner marble master mosaic nature Niccola Pisano noticed owing Padua painted painter perhaps picture Pisano plain portion probably pupils representing restoration rich robe Rome roof row of frescoes Ruskin saints Santa Croce scene Scrovegni Chapel sculpture seems seen side simplicity stands style surrounded Taddeo Gaddi thou tints tion transept Upper Church Vasari Virgin walls whole
Populiarios ištraukos
53 psl. - All honour and reverence to the divine beauty of form ! Let us cultivate it to the utmost in men, women, and children — in our gardens and in our houses. But let us love that other beauty too, which lies in no secret of proportion, but in the secret of deep human sympathy.
68 psl. - These temples grew as grows the grass; Art might obey, but not surpass. The passive Master lent his hand To the vast soul that o'er him planned ; And the same power that reared the shrine Bestrode the tribes that knelt within.
42 psl. - ... tufted irregularly with ilex and olive ; a scene not sublime, for its forms are subdued and low ; not desolate, for its valleys are full of sown fields and tended pastures ; not rich nor lovely, but sunburnt and sorrowful...
36 psl. - ... old painters, that whilst Cimabue was painting this picture in a garden near the gate of San Pietro, King Charles the Elder, of Anjou, passed through Florence, and the authorities of the city, among other marks of respect, conducted him to see the picture of Cimabue. When this work was...
37 psl. - Know that you cannot learn to paint in less time than that which I shall name to you. In the first place, you must study drawing for at least one year ; then you must remain with a master at the workshop for the space of six years at least, that you may learn all the parts and members of the art — to grind colours, to boil down glues, to grind plaster...
141 psl. - Text-Books of Art-Education. Edited by •*• EDWARD J. POYNTER, RA Each Volume contains numerous Illustrations, and is strongly bound for the use of Students, price 5*- The Volumes now ready are : — PAINTING.
41 psl. - ... and deep green breadth of shade, studded with balls of budding silver, and showing at intervals through their framework of rich leaf and rubied flower the far-away bends of the Arno beneath its slopes of olive, and the purple peaks of the Carrara mountains, tossing themselves against the western distance, where the streaks of motionless cloud burn above the Pisan sea. The traveller passes the Fiesolan ridge, and all is changed. The country is on a sudden lonely.
118 psl. - The characteristics of Power and Beauty occur more or less in different buildings , some in one and some in another. But all together , and all in their highest possible relative degrees, they exist, so far as I know, only in one building in the world, the Campanile of Giotto'.
53 psl. - Madonna, turning her mild face upward and opening her arms to welcome the divine glory; but do not impose on us any aesthetic rules which shall banish from the region of Art those old women scraping carrots with their work-worn hands, those heavy clowns taking holiday in a dingy pot-house, those rounded backs and stupid weather-beaten faces that have bent over the spade and done the rough work of the world those homes with their tin pans, their brown pitchers, their rough curs, and their clusters...
80 psl. - ... the greetings of innocence and love wheresoever the breeze may waft us. There is in truth a holy purity, an innocent naivete, a child-like grace and simplicity, a freshness, a fearlessness, an utter freedom from affectation, a yearning after all things truthful, lovely and of good report...