Elements of Criticism, 1 tomasS. Campbell & Son, E. Duyckinck, 1823 |
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xiii psl.
... Perceptions and Ideas in a train , II . Emotions and Passions , Part 1. Causes unfolded of the Emotions and Pas- Sect . sions : 1. Difference between Emotion and Passion . -Causes that are the most common and the most general ...
... Perceptions and Ideas in a train , II . Emotions and Passions , Part 1. Causes unfolded of the Emotions and Pas- Sect . sions : 1. Difference between Emotion and Passion . -Causes that are the most common and the most general ...
xix psl.
... perceptions are of external objects , and our first attachments are to them . Organic pleasures take the lead but the mind , gradually ripening , relisheth more and more the pleasures of the eye and ear ; which ap- proach the purely ...
... perceptions are of external objects , and our first attachments are to them . Organic pleasures take the lead but the mind , gradually ripening , relisheth more and more the pleasures of the eye and ear ; which ap- proach the purely ...
xxvii psl.
... such as may express any number of parts less than the whole . This he thinks is signified by the title he has chosen , viz . ELEMENTS OF CRITICISM . u.m. ELEMENTS OF CRITICISM . CHAPTER I. Perceptions and Ideas INTRODUCTION . xxvii.
... such as may express any number of parts less than the whole . This he thinks is signified by the title he has chosen , viz . ELEMENTS OF CRITICISM . u.m. ELEMENTS OF CRITICISM . CHAPTER I. Perceptions and Ideas INTRODUCTION . xxvii.
29 psl.
Lord Henry Home Kames. u.m. ELEMENTS OF CRITICISM . CHAPTER I. Perceptions and Ideas in a Train . A MAN , while awake , is conscious of a continued train of perceptions and ideas passing in his mind . It requires no activity on his part ...
Lord Henry Home Kames. u.m. ELEMENTS OF CRITICISM . CHAPTER I. Perceptions and Ideas in a Train . A MAN , while awake , is conscious of a continued train of perceptions and ideas passing in his mind . It requires no activity on his part ...
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action Æneid agreeable anger animal love appear arts beauty burlesque Cæsar chapter circumstances colour congruity connexion degree desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification habit hath Hence Henry IV Hudibras Iago ideal presence ideas Iliad impression influence instances jects Julius Caesar kind King Lear less manner means mind motion never nexion novelty objects of sight observation occasion opposite Othello painful emotion painful passion Paradise Lost perceive person pity pleasant emotion pleasure present produceth propensity proper proportion propriety punish qualities racter reason relation relish remarkable resemblance respect Richard II ridicule riety risible scarce Sejanus selfish sense sensible sentiments Shakspeare sion slight spectator sublime succession surprise taste termed things thou thought tion train of perceptions tural uniformity variety words