Elements of Criticism, 1 tomasS. Campbell & Son, E. Duyckinck, 1823 |
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... objects , their in- herent properties are not more remarkable than the va- rious relations that connect them together ... object is no sooner presented to us in idea , than it suggests to the mind other objects to which it is related ...
... objects , their in- herent properties are not more remarkable than the va- rious relations that connect them together ... object is no sooner presented to us in idea , than it suggests to the mind other objects to which it is related ...
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... object is introduced by . a proper connexion , we are conscious of a certain plea- sure arising from that circumstance . Among objects of equal rank , the pleasure is proportioned to the degree of connexion : but among unequal objects ...
... object is introduced by . a proper connexion , we are conscious of a certain plea- sure arising from that circumstance . Among objects of equal rank , the pleasure is proportioned to the degree of connexion : but among unequal objects ...
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... objects connected by contiguity solely ; which is not unpleasant , because objects of sight make an im- pression so lively , as that a relation even of the slightest ... object metaphorically or figu- ratively , Chap . 1. ] 39 IN A TRAIN .
... objects connected by contiguity solely ; which is not unpleasant , because objects of sight make an im- pression so lively , as that a relation even of the slightest ... object metaphorically or figu- ratively , Chap . 1. ] 39 IN A TRAIN .
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Lord Henry Home Kames. The introduction of an object metaphorically or figu- ratively , will not justify the ... objects have a considerable influ- ence in the gratification of our passions , and even in their production . But that ...
Lord Henry Home Kames. The introduction of an object metaphorically or figu- ratively , will not justify the ... objects have a considerable influ- ence in the gratification of our passions , and even in their production . But that ...
43 psl.
... object in distress , if that object did not give pain . What is now said about the production of emotion or passion , resolves into a very simple proposition , That we love what is agreeable , and hate what is disagreeable . And indeed ...
... object in distress , if that object did not give pain . What is now said about the production of emotion or passion , resolves into a very simple proposition , That we love what is agreeable , and hate what is disagreeable . And indeed ...
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action Æneid agreeable anger animal love appear arts beauty burlesque Cæsar chapter circumstances colour congruity connexion degree desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification habit hath Hence Henry IV Hudibras Iago ideal presence ideas Iliad impression influence instances jects Julius Caesar kind King Lear less manner means mind motion never nexion novelty objects of sight observation occasion opposite Othello painful emotion painful passion Paradise Lost perceive person pity pleasant emotion pleasure present produceth propensity proper proportion propriety punish qualities racter reason relation relish remarkable resemblance respect Richard II ridicule riety risible scarce Sejanus selfish sense sensible sentiments Shakspeare sion slight spectator sublime succession surprise taste termed things thou thought tion train of perceptions tural uniformity variety words