Elements of Criticism, 1 tomasS. Campbell & Son, E. Duyckinck, 1823 |
Knygos viduje
Rezultatai 1–5 iš 100
xiv psl.
... Nature hath afforded for computing Time and Space , VI . Resemblance of Emotions to their Causes , VII . Final Causes of the more frequent Emotions 132 142 151 and Passions , III . Beauty , IV . Grandeur and Sublimity , V. Motion and ...
... Nature hath afforded for computing Time and Space , VI . Resemblance of Emotions to their Causes , VII . Final Causes of the more frequent Emotions 132 142 151 and Passions , III . Beauty , IV . Grandeur and Sublimity , V. Motion and ...
xx psl.
... nature offers it to us , in or- der to advance our happiness ; and it is sufficient , that he hath enabled us to carry it on in a natural course . Nor has he made our task either disagreeable or difficult ; on the contrary , the ...
... nature offers it to us , in or- der to advance our happiness ; and it is sufficient , that he hath enabled us to carry it on in a natural course . Nor has he made our task either disagreeable or difficult ; on the contrary , the ...
xxi psl.
... nature , to trace the objects that are naturally agreeable , as well as those that are natural- ly disagreeable ; and by these means to discover , if we can , what are the genuine principles of the fine arts . The man who aspires to be ...
... nature , to trace the objects that are naturally agreeable , as well as those that are natural- ly disagreeable ; and by these means to discover , if we can , what are the genuine principles of the fine arts . The man who aspires to be ...
xxv psl.
... nature . It could not surely be his opinion , that these poets , however eminent for genius , were entitled to give law to mankind ; and that nothing now remains , but blind obedience to their arbitrary will ; if in writing they ...
... nature . It could not surely be his opinion , that these poets , however eminent for genius , were entitled to give law to mankind ; and that nothing now remains , but blind obedience to their arbitrary will ; if in writing they ...
xxvi psl.
... nature , the true source of criticism . The fine arts are intended to enter- tain us , by making pleasant impressions ; and , by that circumstance , are distinguished from the useful arts ; but , in order to make pleasant impressions ...
... nature , the true source of criticism . The fine arts are intended to enter- tain us , by making pleasant impressions ; and , by that circumstance , are distinguished from the useful arts ; but , in order to make pleasant impressions ...
Turinys
xvii | |
xxv | |
29 | |
43 | |
85 | |
96 | |
103 | |
110 | |
130 | |
132 | |
133 | |
142 | |
151 | |
154 | |
164 | |
175 | |
204 | |
210 | |
278 | |
288 | |
299 | |
303 | |
315 | |
332 | |
334 | |
353 | |
355 | |
386 | |
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
action Æneid agreeable anger animal love appear arts beauty burlesque Cæsar chapter circumstances colour congruity connexion degree desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification habit hath Hence Henry IV Hudibras Iago ideal presence ideas Iliad impression influence instances jects Julius Caesar kind King Lear less manner means mind motion never nexion novelty objects of sight observation occasion opposite Othello painful emotion painful passion Paradise Lost perceive person pity pleasant emotion pleasure present produceth propensity proper proportion propriety punish qualities racter reason relation relish remarkable resemblance respect Richard II ridicule riety risible scarce Sejanus selfish sense sensible sentiments Shakspeare sion slight spectator sublime succession surprise taste termed things thou thought tion train of perceptions tural uniformity variety words