Elements of Criticism, 1 tomasS. Campbell & Son, E. Duyckinck, 1823 |
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xiv psl.
... • XII . Ridicule , 288 XIII . Wit , 299 XIV . Custom and Habit , 315 XV . External Signs of Emotions and Passions , 334 XVI . Sentiments , 353 • XVII . Language of Passion , 386 VOLUME II . Chap . XVIII . Beauty of Language XIV CONTENTS .
... • XII . Ridicule , 288 XIII . Wit , 299 XIV . Custom and Habit , 315 XV . External Signs of Emotions and Passions , 334 XVI . Sentiments , 353 • XVII . Language of Passion , 386 VOLUME II . Chap . XVIII . Beauty of Language XIV CONTENTS .
xvi psl.
... Page XXIII . The three Unities , 285 XXIV . Gardening and Architecture , XXV . Standard of Taste , Appendix . Terms defined or explained , 303 343 355 INTRODUCTION . THAT nothing external is perceived till first it CONTENTS ,
... Page XXIII . The three Unities , 285 XXIV . Gardening and Architecture , XXV . Standard of Taste , Appendix . Terms defined or explained , 303 343 355 INTRODUCTION . THAT nothing external is perceived till first it CONTENTS ,
xvii psl.
Lord Henry Home Kames. INTRODUCTION . THAT nothing external is perceived till first it make an impression upon the organ of sense , is an observation that holds equally in every one of the external senses . But there is a difference as ...
Lord Henry Home Kames. INTRODUCTION . THAT nothing external is perceived till first it make an impression upon the organ of sense , is an observation that holds equally in every one of the external senses . But there is a difference as ...
xviii psl.
... externally at the organ of sense , are conceived to be merely corporeal . The pleasures of the eye and the ear , being thus eleva- ted above those of the other external senses , acquire so much dignity as to become a laudable ...
... externally at the organ of sense , are conceived to be merely corporeal . The pleasures of the eye and the ear , being thus eleva- ted above those of the other external senses , acquire so much dignity as to become a laudable ...
xix psl.
... external objects , and our first attachments are to them . Organic pleasures take the lead but the mind , gradually ripening , relisheth more and more the pleasures of the eye and ear ; which ap- proach the purely mental , without ...
... external objects , and our first attachments are to them . Organic pleasures take the lead but the mind , gradually ripening , relisheth more and more the pleasures of the eye and ear ; which ap- proach the purely mental , without ...
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action Æneid agreeable anger animal love appear arts beauty burlesque Cæsar chapter circumstances colour congruity connexion degree desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification habit hath Hence Henry IV Hudibras Iago ideal presence ideas Iliad impression influence instances jects Julius Caesar kind King Lear less manner means mind motion never nexion novelty objects of sight observation occasion opposite Othello painful emotion painful passion Paradise Lost perceive person pity pleasant emotion pleasure present produceth propensity proper proportion propriety punish qualities racter reason relation relish remarkable resemblance respect Richard II ridicule riety risible scarce Sejanus selfish sense sensible sentiments Shakspeare sion slight spectator sublime succession surprise taste termed things thou thought tion train of perceptions tural uniformity variety words