Elements of Criticism, 1 tomasS. Campbell & Son, E. Duyckinck, 1823 |
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Rezultatai 1–5 iš 23
xxvi psl.
... distinguished from the useful arts ; but , in order to make pleasant impressions , we ought , as above hinted , to know what objects are naturally agreeable , and what naturally disagreeable . That subject is here at- tempted , as far ...
... distinguished from the useful arts ; but , in order to make pleasant impressions , we ought , as above hinted , to know what objects are naturally agreeable , and what naturally disagreeable . That subject is here at- tempted , as far ...
48 psl.
... distinguished passion from emotion , we pro- ceed to consider passion more at large , with respect espe- cially to its power of producing action . We have daily and constant experience for our autho- rity , that no man ever proceeds to ...
... distinguished passion from emotion , we pro- ceed to consider passion more at large , with respect espe- cially to its power of producing action . We have daily and constant experience for our autho- rity , that no man ever proceeds to ...
49 psl.
... distinguished into two kinds , general and particular . A man , a house , a garden , is a particular object : fame , esteem , opulence , honour , are general objects , because each of them com- prehends many particulars . The passions ...
... distinguished into two kinds , general and particular . A man , a house , a garden , is a particular object : fame , esteem , opulence , honour , are general objects , because each of them com- prehends many particulars . The passions ...
56 psl.
... distinguished from the other Arcadians , by savage man- " ners , wickedness , and cruelty . I can attribute this dif- 66 * See Chapter 24 . ( 6 66 " ference to no other cause , 56 [ Chap . 2 .. EMOTIONS AND PASSIONS .
... distinguished from the other Arcadians , by savage man- " ners , wickedness , and cruelty . I can attribute this dif- 66 * See Chapter 24 . ( 6 66 " ference to no other cause , 56 [ Chap . 2 .. EMOTIONS AND PASSIONS .
85 psl.
... distinguished on the one hand from real presence , and on the other from a superficial or re- flective remembrance . In contradistinction to real pre- sence , ideal presence may properly be termed a waking dream ; because , like a dream ...
... distinguished on the one hand from real presence , and on the other from a superficial or re- flective remembrance . In contradistinction to real pre- sence , ideal presence may properly be termed a waking dream ; because , like a dream ...
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action Æneid agreeable anger animal love appear arts beauty burlesque Cæsar chapter circumstances colour congruity connexion degree desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification habit hath Hence Henry IV Hudibras Iago ideal presence ideas Iliad impression influence instances jects Julius Caesar kind King Lear less manner means mind motion never nexion novelty objects of sight observation occasion opposite Othello painful emotion painful passion Paradise Lost perceive person pity pleasant emotion pleasure present produceth propensity proper proportion propriety punish qualities racter reason relation relish remarkable resemblance respect Richard II ridicule riety risible scarce Sejanus selfish sense sensible sentiments Shakspeare sion slight spectator sublime succession surprise taste termed things thou thought tion train of perceptions tural uniformity variety words