Elements of Criticism, 1 tomasS. Campbell & Son, E. Duyckinck, 1823 |
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... directing the train of thought . Taking a view of external objects , their in- herent properties are not more remarkable than the va- rious relations that connect them together : Cause and effect , contiguity in time or in place , high ...
... directing the train of thought . Taking a view of external objects , their in- herent properties are not more remarkable than the va- rious relations that connect them together : Cause and effect , contiguity in time or in place , high ...
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... directed to general objects are commonly termed appetites , in contra- distinction to passions directed to particular objects , which retain their proper name : thus we say an appetite for fame , for glory , for conquest , for riches ...
... directed to general objects are commonly termed appetites , in contra- distinction to passions directed to particular objects , which retain their proper name : thus we say an appetite for fame , for glory , for conquest , for riches ...
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... directed by instinct , meaning blind impulse or desire , without any view to consequences . Man is framed to be governed by reason ; he commonly acts with deliberation , in order to bring about some desirable end ; and in that case his ...
... directed by instinct , meaning blind impulse or desire , without any view to consequences . Man is framed to be governed by reason ; he commonly acts with deliberation , in order to bring about some desirable end ; and in that case his ...
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... directed to beings in- animate , animate , and rational : the emotion caused by a rational being is out of measure stronger than any caused by an animal without reason ; and an emotion raised by such an animal , is stronger than what is ...
... directed to beings in- animate , animate , and rational : the emotion caused by a rational being is out of measure stronger than any caused by an animal without reason ; and an emotion raised by such an animal , is stronger than what is ...
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... directed to the author : and beside his well - known passion , a separate feeling is raised in the spectator ; which may be called an emotion of courage ; because , while under its influence , he is consci- ous of a boldness and ...
... directed to the author : and beside his well - known passion , a separate feeling is raised in the spectator ; which may be called an emotion of courage ; because , while under its influence , he is consci- ous of a boldness and ...
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action Æneid agreeable anger animal love appear arts beauty burlesque Cæsar chapter circumstances colour congruity connexion degree desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification habit hath Hence Henry IV Hudibras Iago ideal presence ideas Iliad impression influence instances jects Julius Caesar kind King Lear less manner means mind motion never nexion novelty objects of sight observation occasion opposite Othello painful emotion painful passion Paradise Lost perceive person pity pleasant emotion pleasure present produceth propensity proper proportion propriety punish qualities racter reason relation relish remarkable resemblance respect Richard II ridicule riety risible scarce Sejanus selfish sense sensible sentiments Shakspeare sion slight spectator sublime succession surprise taste termed things thou thought tion train of perceptions tural uniformity variety words