Elements of Criticism, 1 tomasS. Campbell & Son, E. Duyckinck, 1823 |
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... circumstance , are distinguished from the useful arts ; but , in order to make pleasant impressions , we ought , as above hinted , to know what objects are naturally agreeable , and what naturally disagreeable . That subject is here at ...
... circumstance , are distinguished from the useful arts ; but , in order to make pleasant impressions , we ought , as above hinted , to know what objects are naturally agreeable , and what naturally disagreeable . That subject is here at ...
32 psl.
... circumstances crowd upon each other by the slightest connexions . I ascribe this to a bluntness in the discerning faculty ; for a person who cannot accurately distinguish between a slight connexion and one that is more intimate , is ...
... circumstances crowd upon each other by the slightest connexions . I ascribe this to a bluntness in the discerning faculty ; for a person who cannot accurately distinguish between a slight connexion and one that is more intimate , is ...
35 psl.
... circumstance . Among objects of equal rank , the pleasure is proportioned to the degree of connexion : but among unequal objects , where we require a certain order , the pleasure arises chiefly from an order- ly arrangement ; of which ...
... circumstance . Among objects of equal rank , the pleasure is proportioned to the degree of connexion : but among unequal objects , where we require a certain order , the pleasure arises chiefly from an order- ly arrangement ; of which ...
43 psl.
... circumstances now mentioned , if they raise an emotion or passion , cannot be entirely indifferent ; for if so , they could not make any impression . And we find , upon examination , that they are not indifferent : looking back upon the ...
... circumstances now mentioned , if they raise an emotion or passion , cannot be entirely indifferent ; for if so , they could not make any impression . And we find , upon examination , that they are not indifferent : looking back upon the ...
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... circumstances make beings or things fit objects for desire , others not . This hint ought to be pursued . It is a truth ascertained by universal experience , that a thing which in our apprehension is beyond reach , never is the object ...
... circumstances make beings or things fit objects for desire , others not . This hint ought to be pursued . It is a truth ascertained by universal experience , that a thing which in our apprehension is beyond reach , never is the object ...
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action Æneid agreeable anger animal love appear arts beauty burlesque Cæsar chapter circumstances colour congruity connexion degree desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification habit hath Hence Henry IV Hudibras Iago ideal presence ideas Iliad impression influence instances jects Julius Caesar kind King Lear less manner means mind motion never nexion novelty objects of sight observation occasion opposite Othello painful emotion painful passion Paradise Lost perceive person pity pleasant emotion pleasure present produceth propensity proper proportion propriety punish qualities racter reason relation relish remarkable resemblance respect Richard II ridicule riety risible scarce Sejanus selfish sense sensible sentiments Shakspeare sion slight spectator sublime succession surprise taste termed things thou thought tion train of perceptions tural uniformity variety words