Elements of Criticism, 1 tomasS. Campbell & Son, E. Duyckinck, 1823 |
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Rezultatai 1–5 iš 71
vii psl.
... Arts have ever been encouraged by wise princes , not singly for private amusement , but for their beneficial in- fluence in society . By uniting different ranks in the same elegant pleasures , they promote benevolence : by cherishing ...
... Arts have ever been encouraged by wise princes , not singly for private amusement , but for their beneficial in- fluence in society . By uniting different ranks in the same elegant pleasures , they promote benevolence : by cherishing ...
viii psl.
... Arts in Britain , has become of great- er importance than is generally imagined . A flourishing commerce begets opulence ; and opulence , inflaming our appetite for pleasure , is commonly vented on luxury , and on every sensual ...
... Arts in Britain , has become of great- er importance than is generally imagined . A flourishing commerce begets opulence ; and opulence , inflaming our appetite for pleasure , is commonly vented on luxury , and on every sensual ...
xx psl.
... arts are contrived to give pleasure to the eye and the ear , disregarding the inferior senses . A taste for these arts is a plant that grows naturally in many soils ; but , without culture , scarce to perfection in any soil : it is sus ...
... arts are contrived to give pleasure to the eye and the ear , disregarding the inferior senses . A taste for these arts is a plant that grows naturally in many soils ; but , without culture , scarce to perfection in any soil : it is sus ...
xxi psl.
... arts . The man who aspires to be a critic in these arts must pierce still deeper he must acquire a clear perception of what ob- jects are lofty , what low , what proper or improper , what manly , and what mean or trivial . Hence a foun ...
... arts . The man who aspires to be a critic in these arts must pierce still deeper he must acquire a clear perception of what ob- jects are lofty , what low , what proper or improper , what manly , and what mean or trivial . Hence a foun ...
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action Æneid agreeable anger animal love appear arts beauty burlesque Cæsar chapter circumstances colour congruity connexion degree desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification habit hath Hence Henry IV Hudibras Iago ideal presence ideas Iliad impression influence instances jects Julius Caesar kind King Lear less manner means mind motion never nexion novelty objects of sight observation occasion opposite Othello painful emotion painful passion Paradise Lost perceive person pity pleasant emotion pleasure present produceth propensity proper proportion propriety punish qualities racter reason relation relish remarkable resemblance respect Richard II ridicule riety risible scarce Sejanus selfish sense sensible sentiments Shakspeare sion slight spectator sublime succession surprise taste termed things thou thought tion train of perceptions tural uniformity variety words