Elements of Criticism, 1 tomasVernor and Hood, 1805 - 458 psl. |
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49 psl.
... Venice Preserv'd , act I. sc . I. It hath always been reckoned difficult to account for the extreme pleasure that follows a cessation of bodily pain ; as when one is relieved from the rack , or from a violent fit of the stone . What is ...
... Venice Preserv'd , act I. sc . I. It hath always been reckoned difficult to account for the extreme pleasure that follows a cessation of bodily pain ; as when one is relieved from the rack , or from a violent fit of the stone . What is ...
60 psl.
... Venice Preserv'd , takes advantage of that circumstance : in the scene where Belvidera sues to her father for pardon , she is represented as pleading her mother's merit , and the resemblance she bore to her mother : Priuli . My daughter ...
... Venice Preserv'd , takes advantage of that circumstance : in the scene where Belvidera sues to her father for pardon , she is represented as pleading her mother's merit , and the resemblance she bore to her mother : Priuli . My daughter ...
388 psl.
... Venice Preserv'd , act 5 , at the close of the scene between Belvidera and her father Priuli . The account given by Belvidera of the danger she was in , and of her husband's threatening to murder her , ought naturally to have alarmed ...
... Venice Preserv'd , act 5 , at the close of the scene between Belvidera and her father Priuli . The account given by Belvidera of the danger she was in , and of her husband's threatening to murder her , ought naturally to have alarmed ...
403 psl.
... Venice Preserv'd , act 5 . To preserve the foresaid resemblance between words and their meaning , the sentiments of active and hurrying passions ought to be dressed in words where syllables prevail that are pronounced short or fast ...
... Venice Preserv'd , act 5 . To preserve the foresaid resemblance between words and their meaning , the sentiments of active and hurrying passions ought to be dressed in words where syllables prevail that are pronounced short or fast ...
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Pagrindiniai terminai ir frazės
action agreeable anger animal love appear arts beauty burlesque Cæsar chap circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable dissimilar emotions distress doth effect elevation emotion raised emotions and passions emotions produced example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hath Hence Henry IV Hudibras human Iago ideal presence ideas impression inflame influence Jane Shore ject Julius Cæsar kind less manner means mind motion Mourning Bride nature never objects of sight observation occasion opposite Othello painful emotion painful passions Paradise Lost perceive perceptions person pity pleasant emotion pleasure present produceth proper propriety qualities racter reason reflection relation relish remarkable resemblance respect ridicule selfish sense sensible sentiments Shakespear sion slight social spect spectator surprise taste termed things thou thought tion tone uniformity variety Venice Preserv'd words writers