Dramatic Miscellanies: Consisting of Critical Observations on Several Plays of Shakespeare: With a Review of His Principal Characters, and Those of Various Eminent Writers, as Represented by Mr. Garrick and Other Celebrated Comedians. With Anecdotes of Dramatic Poets, Actors, &c, 2 tomasThe author, 1783 |
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9 psl.
... manager , promised to Macklin ; but Theophilus Cibber , by fome fort of arti- fice , as common in theatres as in courts , fnatched it from him , to his great displea- fure . Berry was the Lafeu , and Chap- man the Clown and Interpreter ...
... manager , promised to Macklin ; but Theophilus Cibber , by fome fort of arti- fice , as common in theatres as in courts , fnatched it from him , to his great displea- fure . Berry was the Lafeu , and Chap- man the Clown and Interpreter ...
42 psl.
... manager defigned Arbaces for himself . They both appeared to be much pleafed with the prospect of giving the public diverfion , and gaining great applause in the representation of two characters new to the ftage . And , doubt- lefs ...
... manager defigned Arbaces for himself . They both appeared to be much pleafed with the prospect of giving the public diverfion , and gaining great applause in the representation of two characters new to the ftage . And , doubt- lefs ...
43 psl.
... manager was to bring out this play at first , it was observed , that , at every reading of it in the green- room , his pleasure , instead of increasing , fuffered a vifible diminution . His ufual vivacity at laft forfook him ; he looked ...
... manager was to bring out this play at first , it was observed , that , at every reading of it in the green- room , his pleasure , instead of increasing , fuffered a vifible diminution . His ufual vivacity at laft forfook him ; he looked ...
44 psl.
... manager to drop this play . The King's ftrange and contradictory agi- tations of mind are no otherwife to be ac- counted for than from his ardent passion to a lady whom he supposes to be his fifter : this belief raises him fometimes to ...
... manager to drop this play . The King's ftrange and contradictory agi- tations of mind are no otherwife to be ac- counted for than from his ardent passion to a lady whom he supposes to be his fifter : this belief raises him fometimes to ...
69 psl.
... manager a little embarraffed , with much seeming modefty , faid , " Sir , I will act the part , if you defire it , exactly according to your notion of it . " - " No , no ! by no means , Harry . D - n it , you have actual- ly clenched ...
... manager a little embarraffed , with much seeming modefty , faid , " Sir , I will act the part , if you defire it , exactly according to your notion of it . " - " No , no ! by no means , Harry . D - n it , you have actual- ly clenched ...
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Dramatic Miscellanies: Consisting of Critical Observations on ..., 2 tomas Thomas Davies Visos knygos peržiūra - 1785 |
Dramatic Miscellanies: Consisting of Critical Observations on ..., 2 tomas Thomas Davies Visos knygos peržiūra - 1784 |
Dramatic Miscellanies Consisting of Critical Observations on ..., 1 tomas Thomas Davies Peržiūra negalima - 2018 |
Pagrindiniai terminai ir frazės
acted actor affumed againſt almoſt Antony audience Banquo Beaumont and Fletcher beſt Booth Brutus Caffius Catiline character Cibber Cicero Cleopatra Colley Cibber comedians comedy confequence Cordelia death Edgar Engliſh expreffion faid fame fatire fays fcene feems feveral fhall fhould fince firft firſt fituation flaves fome foon fpectators fpirit ftage ftill fubject fuch fuperior fuppofe fupport furely Garrick greateſt himſelf honour humour huſband Johnſon Jonfon Julius Cæfar King Lady Lady Macbeth laft laſt Lear Leonard Diggs Macbeth Mark Antony maſter moft moſt murder muſt Notwithſtanding obferve paffage paffion perfon play players pleaſe pleaſure poet Pompey preſent racters raiſed reaſon repreſentation repreſented reſembling Reſtoration revived Rofcius Roman Roman actors ſay ſcene ſeems Sejanus Shakspeare Shakspeare's ſhe Silent Woman ſkill ſpeak ſpoken ſtage ſtate Steevens ſuch ſuppoſe taſte theatre thefe theſe thofe thoſe tion tragedy uſe Volpone whofe wife Wilks word writer
Populiarios ištraukos
315 psl. - tis fittest. Cor. How does my royal lord? How fares your majesty? Lear. You do me wrong, to take me out o' the grave. Thou art a soul in bliss ; but I am bound Upon a wheel of fire, that mine own tears Do scald like molten lead.
20 psl. - element,' but the word is over-worn. \Exit. Vio. This fellow is wise enough to play the fool ; And to do that well craves a kind of wit : He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye.
147 psl. - What hands are here ? ha ! they pluck out mine eyes. Will all great Neptune's ocean wash this blood Clean from my hand ? No, this my hand will rather The multitudinous seas incarnadine, Making the green one red.
253 psl. - He only, in a general honest thought, And common good to all, made one of them. His life was gentle, and the elements So mix'd in him that Nature might stand up And say to all the world, 'This was a man!
263 psl. - I was many years ago so shocked by Cordelia's death, that I know not whether I ever endured to read again the last scenes of the play till I undertook to revise them as an editor.
278 psl. - Garrick rendered the curse so terribly affecting to the audience, that, during his utterance of it, they seemed to shrink from it as from a blast of lightning. His preparation for it was extremely affecting; his throwing away his crutch, kneeling on one knee, clasping his hands together, and lifting his eyes towards heaven, presented a picture worthy the pencil of a Raphael.
262 psl. - A play in which the wicked prosper, and the virtuous miscarry, may doubtless be good, because it is a just representation of the common events of human life ; but since all reasonable beings naturally love justice, I cannot easily be persuaded, that the observation of justice makes a play worse ; or, that if other excellences are equal, the audience will not always rise better pleased from the final triumph of persecuted virtue.
279 psl. - His pauses and broken interruptions of speech, of which he was extremely enamored, sometimes to a degree of impropriety, were at times too inartificially repeated ; nor did he give that terror to the whole which the great poet intended should predominate. THOMAS DAVIES : ' Dramatic Miscellanies,
351 psl. - ANT. Come on, my soldier! Our hearts and arms are still the same: I long Once more to meet our foes, that thou and I, Like Time and Death, marching before our troops, May taste fate to 'em; mow 'em out a passage, And, ent'ring where the foremost squadrons yield, Begin the noble harvest of the field.