Dramatic Miscellanies: Consisting of Critical Observations on Several Plays of Shakespeare: With a Review of His Principal Characters, and Those of Various Eminent Writers, as Represented by Mr. Garrick and Other Celebrated Comedians. With Anecdotes of Dramatic Poets, Actors, &c, 2 tomasThe author, 1783 |
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13 psl.
... humour to the height . The fevere Boileau , who was not fo much fought after and invited as Lully , won- dered at the distinction bestowed upon that obfcene buffoon , as he called him ; and would often chide Moliere for his tafte in ...
... humour to the height . The fevere Boileau , who was not fo much fought after and invited as Lully , won- dered at the distinction bestowed upon that obfcene buffoon , as he called him ; and would often chide Moliere for his tafte in ...
22 psl.
... humour , and tafte , of his au- dience ; and no physician was ever more accurately acquainted with the pulse of his patient than our poet was with the peculiar diet which would please the palates of the good folks in this metropolis ...
... humour , and tafte , of his au- dience ; and no physician was ever more accurately acquainted with the pulse of his patient than our poet was with the peculiar diet which would please the palates of the good folks in this metropolis ...
47 psl.
... humour ; or , at leaft , much off his guard . The cowards of Shakspeare are not ren- dered so absolutely unfit for all fociety as Beffus Beffus and his companions , the swordf men ; fellows ALL'S WELL THAT ENDS WELL . 47.
... humour ; or , at leaft , much off his guard . The cowards of Shakspeare are not ren- dered so absolutely unfit for all fociety as Beffus Beffus and his companions , the swordf men ; fellows ALL'S WELL THAT ENDS WELL . 47.
48 psl.
... humour , from old Lafeu . His diftrefs , when blinded , is of the most whimsical fort , and the acute invention of his answers , to the interpreter's interroga- tories , afford perpetual laughter . Even , in his last stage of Tom Drum ...
... humour , from old Lafeu . His diftrefs , when blinded , is of the most whimsical fort , and the acute invention of his answers , to the interpreter's interroga- tories , afford perpetual laughter . Even , in his last stage of Tom Drum ...
51 psl.
... him , ' in Ham- let : Hadft not thou been by , A fellow , by the hand of nature mark'd , Quoted , and fign'd to do a deed of shame , & c . D 2 Every Every Man in his Humour . mour . CHAPTER XXIII ALL'S WELL THAT ENDS WELL . 51.
... him , ' in Ham- let : Hadft not thou been by , A fellow , by the hand of nature mark'd , Quoted , and fign'd to do a deed of shame , & c . D 2 Every Every Man in his Humour . mour . CHAPTER XXIII ALL'S WELL THAT ENDS WELL . 51.
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Dramatic Miscellanies: Consisting of Critical Observations on ..., 2 tomas Thomas Davies Visos knygos peržiūra - 1785 |
Dramatic Miscellanies: Consisting of Critical Observations on ..., 2 tomas Thomas Davies Visos knygos peržiūra - 1784 |
Dramatic Miscellanies– Consisting of Critical Observations on ..., 1 tomas Thomas Davies Peržiūra negalima - 2018 |
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acted actor affumed againſt almoſt Antony audience Banquo Beaumont and Fletcher beſt Booth Brutus Caffius Catiline character Cibber Cicero Cleopatra Colley Cibber comedians comedy confequence Cordelia death Edgar Engliſh expreffion faid fame fatire fays fcene feems feveral fhall fhould fince firft firſt fituation flaves fome foon fpectators fpirit ftage ftill fubject fuch fuperior fuppofe fupport furely Garrick greateſt himſelf honour humour huſband Johnſon Jonfon Julius Cæfar King Lady Lady Macbeth laft laſt Lear Leonard Diggs Macbeth Mark Antony maſter moft moſt murder muſt Notwithſtanding obferve paffage paffion perfon play players pleaſe pleaſure poet Pompey preſent racters raiſed reaſon repreſentation repreſented reſembling Reſtoration revived Rofcius Roman Roman actors ſay ſcene ſeems Sejanus Shakspeare Shakspeare's ſhe Silent Woman ſkill ſpeak ſpoken ſtage ſtate Steevens ſuch ſuppoſe taſte theatre thefe theſe thofe thoſe tion tragedy uſe Volpone whofe wife Wilks word writer
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315 psl. - tis fittest. Cor. How does my royal lord? How fares your majesty? Lear. You do me wrong, to take me out o' the grave. — Thou art a soul in bliss ; but I am bound Upon a wheel of fire, that mine own tears Do scald like molten lead.
20 psl. - element,' but the word is over-worn. \Exit. Vio. This fellow is wise enough to play the fool ; And to do that well craves a kind of wit : He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye.
147 psl. - What hands are here ? ha ! they pluck out mine eyes. Will all great Neptune's ocean wash this blood Clean from my hand ? No, this my hand will rather The multitudinous seas incarnadine, Making the green one red.
253 psl. - He only, in a general honest thought, And common good to all, made one of them. His life was gentle, and the elements So mix'd in him that Nature might stand up And say to all the world, 'This was a man!
263 psl. - I was many years ago so shocked by Cordelia's death, that I know not whether I ever endured to read again the last scenes of the play till I undertook to revise them as an editor.
278 psl. - Garrick rendered the curse so terribly affecting to the audience, that, during his utterance of it, they seemed to shrink from it as from a blast of lightning. His preparation for it was extremely affecting; his throwing away his crutch, kneeling on one knee, clasping his hands together, and lifting his eyes towards heaven, presented a picture worthy the pencil of a Raphael.
262 psl. - A play in which the wicked prosper, and the virtuous miscarry, may doubtless be good, because it is a just representation of the common events of human life ; but since all reasonable beings naturally love justice, I cannot easily be persuaded, that the observation of justice makes a play worse ; or, that if other excellences are equal, the audience will not always rise better pleased from the final triumph of persecuted virtue.
279 psl. - His pauses and broken interruptions of speech, of which he was extremely enamored, sometimes to a degree of impropriety, were at times too inartificially repeated ; nor did he give that terror to the whole which the great poet intended should predominate. THOMAS DAVIES : ' Dramatic Miscellanies,
351 psl. - ANT. Come on, my soldier! Our hearts and arms are still the same: I long Once more to meet our foes, that thou and I, Like Time and Death, marching before our troops, May taste fate to 'em; mow 'em out a passage, And, ent'ring where the foremost squadrons yield, Begin the noble harvest of the field.