Elements of CriticismConner & Cooke, 1836 - 504 psl. |
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6 psl.
... of taste , and the perception of the Sublime and the Beautiful , exist , in a greater or less degree , in every mind ; and as every man fami- liar with the subject , must be sensible that English 6 EDITOR'S PREFACE .
... of taste , and the perception of the Sublime and the Beautiful , exist , in a greater or less degree , in every mind ; and as every man fami- liar with the subject , must be sensible that English 6 EDITOR'S PREFACE .
7 psl.
Lord Henry Home Kames Abraham Mills. liar with the subject , must be sensible that English literature is enriched with its full share of the most exquisite productions , both in poetry and prose ; so it would seem to follow , that if ...
Lord Henry Home Kames Abraham Mills. liar with the subject , must be sensible that English literature is enriched with its full share of the most exquisite productions , both in poetry and prose ; so it would seem to follow , that if ...
11 psl.
... Sensible of the impression in touch , taste , and smell - In seeing and hearing not sensible of it - The pleasures of the eye and the ear occupy a middle rank - Other valu- able properties of the pleasures of the eye and the ear besides ...
... Sensible of the impression in touch , taste , and smell - In seeing and hearing not sensible of it - The pleasures of the eye and the ear occupy a middle rank - Other valu- able properties of the pleasures of the eye and the ear besides ...
12 psl.
... sensible organic impression . Their mixt nature , and middle place between organic and intellectual pleasures , qualify them to associate with both . Beauty heightens all the organic feelings , as well as the intellectual : harmony ...
... sensible organic impression . Their mixt nature , and middle place between organic and intellectual pleasures , qualify them to associate with both . Beauty heightens all the organic feelings , as well as the intellectual : harmony ...
13 psl.
... sensible of the organic impression , is prepared for enjoying internal objects where there cannot be an organic impres- sion . Thus the Author of nature , by qualifying the human mind for a succession of enjoyments from low to high ...
... sensible of the organic impression , is prepared for enjoying internal objects where there cannot be an organic impres- sion . Thus the Author of nature , by qualifying the human mind for a succession of enjoyments from low to high ...
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accent action Æneid agreeable appear beauty blank verse Cæsar capital cause Chap circumstance color connected degree Demetrius Phalereus disagreeable distinguished effect elevation emotions Eneid epic epic poem epic poetry Euripides example expression external signs feeling figure Fingal foregoing garden give grandeur grief heav'n Hence Henry IV Hexameter human ideas Iliad imagination imitation impression Jane Shore Julius Cæsar kind language less light long syllable manner means melody metaphor mind motion Mourning Bride nature never object observation ornaments Othello pain Paradise Lost passion pause peculiar perceive perception person pleasant pleasure poem principle produce pronounced proper proportion raised reader reason regularity relation relish resemblance respect rhyme Richard II rule scarcely scene sense sensible sentiments Shakspeare short syllables signify simile sion sound spectator Spondees taste termed thee things thou thought tion tone tragedy uniformity variety verse words writers