Elements of CriticismConner & Cooke, 1836 - 504 psl. |
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14 psl.
... produce in the morning of life . * In the next place , a philosophic inquiry into the principles of the fine arts , inures the reflecting mind to the most enticing sort of logic . The practice of reasoning upon subjects so agreeable ...
... produce in the morning of life . * In the next place , a philosophic inquiry into the principles of the fine arts , inures the reflecting mind to the most enticing sort of logic . The practice of reasoning upon subjects so agreeable ...
25 psl.
... into one connected chain , produce connection of action , because + Chap . 2. part I. sect . 4 . * Lib . iv . lin . 173 . 3 perception and action have an intimate correspondence . But it Ch . 1. ] 25 PERCEPTIONS AND IDEAS IN A TRAIN .
... into one connected chain , produce connection of action , because + Chap . 2. part I. sect . 4 . * Lib . iv . lin . 173 . 3 perception and action have an intimate correspondence . But it Ch . 1. ] 25 PERCEPTIONS AND IDEAS IN A TRAIN .
27 psl.
... produce different degrees of emotion - Ra- tional beings raise the strongest emotions ; animate next ; and inanimate the weakest . THESE branches are so interwoven that they cannot be handled . separately . It is a fact universally ...
... produce different degrees of emotion - Ra- tional beings raise the strongest emotions ; animate next ; and inanimate the weakest . THESE branches are so interwoven that they cannot be handled . separately . It is a fact universally ...
28 psl.
... produced , we inquire for no other cause than merely the presence of the object . The things now mentioned , raise ... produce any sort of emotion . But it is sufficient for But Emotions are raised in us , not only by the 28 [ Ch . 2 ...
... produced , we inquire for no other cause than merely the presence of the object . The things now mentioned , raise ... produce any sort of emotion . But it is sufficient for But Emotions are raised in us , not only by the 28 [ Ch . 2 ...
29 psl.
... produced when the object was present : the only difference is , that an idea being fainter than an original per- ception , the pleasure or pain produced by the former , is proportion- ably fainter than that produced by the latter ...
... produced when the object was present : the only difference is , that an idea being fainter than an original per- ception , the pleasure or pain produced by the former , is proportion- ably fainter than that produced by the latter ...
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accent action Æneid agreeable appear beauty blank verse Cæsar capital cause Chap circumstance color connected degree Demetrius Phalereus disagreeable distinguished effect elevation emotions Eneid epic epic poem epic poetry Euripides example expression external signs feeling figure Fingal foregoing garden give grandeur grief heav'n Hence Henry IV Hexameter human ideas Iliad imagination imitation impression Jane Shore Julius Cæsar kind language less light long syllable manner means melody metaphor mind motion Mourning Bride nature never object observation ornaments Othello pain Paradise Lost passion pause peculiar perceive perception person pleasant pleasure poem principle produce pronounced proper proportion raised reader reason regularity relation relish resemblance respect rhyme Richard II rule scarcely scene sense sensible sentiments Shakspeare short syllables signify simile sion sound spectator Spondees taste termed thee things thou thought tion tone tragedy uniformity variety verse words writers