Elements of CriticismConner & Cooke, 1836 - 504 psl. |
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15 psl.
... never to be swayed a second time . He has now an addi- tional motive to virtue , a conviction derived from experience , that happiness depends on regularity and order , and that disregard to t justice or propriety never fails to be ...
... never to be swayed a second time . He has now an addi- tional motive to virtue , a conviction derived from experience , that happiness depends on regularity and order , and that disregard to t justice or propriety never fails to be ...
16 psl.
... never once have stumbled upon the question , whether , and how far , do these rules agree with human nature . ) It . could not surely be his opinion , that these poets , however eminent for genius , were entitled to give law to mankind ...
... never once have stumbled upon the question , whether , and how far , do these rules agree with human nature . ) It . could not surely be his opinion , that these poets , however eminent for genius , were entitled to give law to mankind ...
24 psl.
... never returns to the ques- tion proposed in the beginning . Of Virgil's Georgics , though esteemed the most complete work of that author , the parts are ill connected , and the transitions far from being sweet and easy . In the first ...
... never returns to the ques- tion proposed in the beginning . Of Virgil's Georgics , though esteemed the most complete work of that author , the parts are ill connected , and the transitions far from being sweet and easy . In the first ...
25 psl.
... never be relished : Distrust in lovers is too warm a sun ; But yet ' tis night in love when that is gone . And in those climes which most his scorching know , He makes the noblest fruits and metals grow . Part 2. Conquest of Granada ...
... never be relished : Distrust in lovers is too warm a sun ; But yet ' tis night in love when that is gone . And in those climes which most his scorching know , He makes the noblest fruits and metals grow . Part 2. Conquest of Granada ...
26 psl.
... never once descending to gratify any of the inferior senses . design , accordingly , of this chapter , is to delineate that connection , with the view chiefly to ascertain what power the fine arts have to raise emotions and passions ...
... never once descending to gratify any of the inferior senses . design , accordingly , of this chapter , is to delineate that connection , with the view chiefly to ascertain what power the fine arts have to raise emotions and passions ...
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accent action Æneid agreeable appear beauty blank verse Cæsar capital cause Chap circumstance color connected degree Demetrius Phalereus disagreeable distinguished effect elevation emotions Eneid epic epic poem epic poetry Euripides example expression external signs feeling figure Fingal foregoing garden give grandeur grief heav'n Hence Henry IV Hexameter human ideas Iliad imagination imitation impression Jane Shore Julius Cæsar kind language less light long syllable manner means melody metaphor mind motion Mourning Bride nature never object observation ornaments Othello pain Paradise Lost passion pause peculiar perceive perception person pleasant pleasure poem principle produce pronounced proper proportion raised reader reason regularity relation relish resemblance respect rhyme Richard II rule scarcely scene sense sensible sentiments Shakspeare short syllables signify simile sion sound spectator Spondees taste termed thee things thou thought tion tone tragedy uniformity variety verse words writers